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    Chapter

    Introduction: Approaching the Real

    This book concerns the concept of the ‘Real’ in the work of the French psychoanalyst Jacques Lacan. Lacan proposed an ambitious, at times highly abstract, and always philosophically suggestive, reading of Freu...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    The Real and the Symbolic

    Having explained how Lacan lays out the formation of the Real, conceived in its relationship to the Imaginary as an immanently produced, and irrecuperable, antagonism proper to identification, I will now outli...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    The Real and Psychopathology

    Up to now, I have largely been concerned with articulating the complex, theoretical relationship between Lacan’s concept of the Real and the wider concerns of his metapsychology. In approaching these questions...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    Conclusion: Philosophical Psychoanalysis?

    To conclude, I’d like to provide some thoughts on the meta-theoretical status of my argument. What, finally, is the ‘Real’, both in terms of its position within Lacan’s wider metapsychology and his theory of t...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    The Imaginary and the Real

    In this chapter I will draw out in Lacan ‘s account of the Imaginary register, and in particular in his various engagements with the constitutivity of the image of the ‘other’, the beginnings of what he would ...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Book

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    Chapter

    Space and the Real

    Up to now, I have been concerned with the ways in which Lacan, from the 1940s to the beginning of the 1960s, laid the ground for a psychoanalysis predicated on the Real. By showing the place of the Real in the...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    Lacanian Materialism?

    In this chapter I aim to consolidate a number of the themes already broached in preceding chapters, particularly as they relate to Lacan’s writings on materiality and materialism, and as they point towards a t...

    Tom Eyers in Lacan and the Concept of the ‘Real’ (2012)

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    Chapter

    ’Staring Sightlessly’: Proust’s Presence in Beckett’s Absence

    Act Three: It begins and ends with boots, straining to remove them, and a pleading finally for someone to come, for someone to care; Estragon, in Samuel Beckett’s Waiting for Godot, calls out ‘feebly’ to Vladimir...

    Clark Lunberry in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    The Long and the Short of it… Moving Images in Proust and Beckett

    Gilles Deleuze’s career as a philosopher and critical theorist held important implications for literary and cinematographic analysis. In particular, Deleuze’s notion of heccéites [haecceities], 1 or the ‘thisness...

    Carol J. Murphy in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Deviant Masculinity and Deleuzian Difference in Proust and Beckett

    In Proust and Signs, Gilles Deleuze maintains that, in In Search of Lost Time, Proust is a philosopher of difference because he goes beyond the ‘abstract truths of “philosophy” that compromise no one and do not d...

    Jennifer M. Jeffers in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Proustian Puppetry as Deleuzian Sign in A la recherche du temps perdu

    Deleuze’s Proust et les signes draws to a close with the search for a metaphor to express the construction of Proust’s novel. The Recherche, he concludes, ‘n’est pas bâtie comme une cathédrale ni comme une robe’ ...

    Margaret Top** in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Introduction

    Beckett’s Proust/Deleuze’s Proust situates the French novelist Marcel Proust (1871–1922) between the Irish playwright and novelist Samuel Beckett (1906–89) and the French philosopher and cultural critic Gilles De...

    Margaret Top**, Mary Bryden in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    … Proust… Beckett… Deleuze…: a Quad Regained

    I have been most fortunate in accessing and partially transcribing an arguably not insignificant contribution to Proust scholarship, that is, a quad of unpublished, undated, autographed letters, recently unear...

    Jérôme Cornette in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    The Search for Strange Worlds: Deleuzian Semiotics and Proust

    In his first major semiotic work, Proust and Signs, Deleuze not only ignores the whole field of semiotics, but the entire history of the philosophy of the sign.2 In a bold affront to both, he instead uses Proust’...

    Christopher M. Drohan in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Signs and Subjectivity in Proust and Signs and Cinema 1 and 2

    In the first chapter of Proust and Signs,1 Deleuze develops a system of signs which he suggests is founded on a careful study of Proust’s work. Implicit, in at least a first reading of Proust and Signs, is the as...

    Joe Hughes in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Deleuze, Leibniz, Proust and Beckett: Thinking in Literature

    The problem of the image of thought occurs at important moments within Deleuze’s works, yet it is not always at the forefront of his ideas. In Negotiations, Deleuze indicates that Difference and Repetition ‘is re...

    Anthony Uhlmann in Beckett’s Proust/Deleuze’s Proust (2009)

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    Book

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    Chapter

    Proust, Deleuze and the Spiritual Automaton

    I start from the premise that beyond the book Proust et les signes, Proust has a structural importance in the work of Gilles Deleuze that merits extensive analysis. I will be specifically concerned here, however,...

    Patrick Ffrench in Beckett’s Proust/Deleuze’s Proust (2009)

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    Chapter

    Models of Musical Communication in Proust and Beckett

    One day in 1983, Nicholas Zurbrugg (1947–2001), professor of comparative literature, sits at his desk working on his article on ‘Beckett, Proust and “Dream of Fair to Middling Women” ‘.1 Again he reads the senten...

    Franz Michael Maier in Beckett’s Proust/Deleuze’s Proust (2009)

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