Women, Pleasure, Film
What Lolas Want
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Open AccessGlobal sensitivity analysis and uncertainty quantification for design parameters of shallow geothermal systems
To improve the design process of geothermal systems, it is important to know which design parameters particularly affect the performance of the system. This article presents investigations on design parameters...
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Fazit und Ausblick
Ein wesentlicher Teil des Innovationsgehalts von EASyQuart besteht darin, offene wissenschaftliche Fragestellungen bei der Optimierung großflächiger oberflächennaher Geothermienetzwerke klären zu helfen (z. B....
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Analyse von Untergrundkomponenten
Die Gegebenheiten im geologischen Untergrund und vor allem die dort vorhandenen Temperaturbedingungen sind die zentrale Ressource, der sich geothermische Anlagen bedienen. Die große Bedeutung, die den Informat...
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Benchmarks
In diesem Kapitel werden die im Rahmen von EASyQuart entwickelten Anwendungsbeispiele (Benchmarks) für OpenGeoSys (OGS) kurz vorgestellt. Diese Benchmarks betrachten beispielhaft Möglichkeiten der Simulation ...
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Einführung in das Verbundvorhaben Easyquart
Im Jahre 2015 wohnten etwa 75 % der deutschen Bevölkerung in Städten (Statista 2018). Entsprechend dem Ziel des Energiekonzepts der Bundesregierung (Bundesregierung 2018), den Gebäudebestandteil bis 2050 nahezu k...
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Goethe’s Faust and the Ecolinguistics of <Here>
Scholarship now understands that Goethe’s Faust is not a celebration of modernity, but rather its critique. Faust’s striving comes at a cost measured in human lives, shattered economies, failing empires, territor...
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Domesticating Lola
When Marlene Dietrich left Germany for America, did Lola come with her? The answer is not as obvious as it seems. Within hours of her triumph as Lola Lola at the Berlin premiere of The Blue Angel on April 1, 1930...
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Portraits of Lola
In a famous 1938 essay on “The Work of Art in the Age of Mechanical Reproduction,” the German Jewish philosopher, literary theorist, and social critic Walter Benjamin comes up with a striking way to differenti...
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Lola, Race, and Ethnicity
Is Lola white? More important, does her claim to pleasure originate in a predominantly white culture and therefore limit its validity? At first blush, it may appear so. If Dietrich is the Ur-Lola, the first gen.....
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Falling in Love Again … and Again and Again
Ithink I have loved Lola for as long as I have known her. But when did I first run into her? Everyone meets Lola in their own way, though generational factors often play a role. I first met Lola thanks to the ...
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Lola’s Menagerie
For much of Western history, the menagerie was a privilege of the aristocracy. Colonies provided not only luxury goods and wealth but also exotic animals that were collected and held in cages. Seventeenth-centu.....
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Lola’s Legs
Three snapshots from Berlin in the 1920s and early 1930s:
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Lola’s Bedroom and the Staircase to Paradise
Leggy chorus girls descending a spiral staircase—it’s an iconic image from the variety stage. Gershwin captured its significance perfectly in “Staircase to Paradise,” a tune that turns the steps of a dance revi.....
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Lola and Motherhood
It is not obvious that Lola has a mother or that she has ever been a mother herself. Not as Lola. The home of Dietrich’s Lola Lola is the stage. Motherhood may be part of some backstory, but to the extent that .....
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Carousels and Carnivals
In 1949, Max Ophuls, Jewish German director of international acclaim, ended his eight-year exile in Hollywood and returned to Europe, specifically to France, where he had lived, also in exile, from 1936 to 1940.....
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The Give and Take of Naming
The Lola film is nothing without its name. Every name amounts to some combination of the arbitrary and meaningful. As the linguist Frederic de Saussure taught us, the relation between the word’s physical manife.....
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Lola’s Song and Dance
When Lola strides onto the stage—of theater, cinema, history, and our consciousness—she does so with a song and dance. Starting with Lola Montez, Lola’s existence is wrapped up with the stage, defined by the da.....
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The Lola Revue The Lola Film as Genre
One of the contentions of this book is that the Lola film qualifies as a genre in its own right. I could and perhaps should have been content with develo** a typology of Lola as a distinctive character (her n.....
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It’s Lola’s Time
The chiming of the church tower Glockenspiel that reminds Professor Rath of his duty to his pupils in The Blue Angel. The shopkeeper who sets his clock according to Professor Immanuel Rath’s punctual course throu...
