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    Chapter

    Schiller and Kant on Grace and Beauty

    Schiller’s essay “On Grace and Dignity” has been taken by many, including Kant himself, to be an attack on Kant’s moral philosophy, understood as requiring that moral motivation must always be a struggle betwe...

    Paul Guyer in The Palgrave Handbook on the Philosophy of Friedrich Schiller (2023)

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    Chapter

    Stanley Cavell: What Becomes of People on Film?

    Stanley Cavell’s “ontology of film” is his way of expressing that in our experience of movies, we are both aware that we are perceiving nothing but flickering light on a screen yet also respond intellectually ...

    Paul Guyer in The Palgrave Handbook of the Philosophy of Film and Motion Pictures (2019)

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    Chapter

    Freedom as an End in Itself: Fichte on Ethical Duties

    Fichte’s System of Ethics was written independently of Kant’s Metaphysics of Morals, although inspired by Kant’s general approach to moral philosophy. Thus Fichte’s system of ethical duties parallels Kant’s rathe...

    Paul Guyer in The Palgrave Fichte Handbook (2019)

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    Chapter

    The Infinite Given Magnitude and Other Myths About Space and Time

    I argue that Kant's claim in the “Transcendental Aesthetic” of the Critique of Pure Reason that space and time are immediately given in intuition as infinite magnitudes is undercut by his general theory of mathem...

    Paul Guyer in Infinity in Early Modern Philosophy (2018)

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    Chapter

    Transcendental Idealism: What and Why?

    Guyer argues that the traditional distinction between “one-world” and “two-world” interpretations of transcendental idealism is misleading; everyone has always recognized that there is a distinction between ou...

    Paul Guyer in The Palgrave Kant Handbook (2017)

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    Chapter

    Kant’s Legacy for German Idealism: Versions of Autonomy

    One way to characterize Kant’s legacy to German Idealism would be to say that it is the respectability of the project of idealism itself. The early eighteenth-century idealism or “immaterialism” of George Berk...

    Paul Guyer in The Palgrave Handbook of German Idealism (2014)

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    Chapter

    Mendelssohn’s Theory of Mixed Sentiments

    In aesthetics, Moses Mendelssohn is famous for his theory of “mixed sentiments,” his solution to the “paradox of tragedy” discussed for decades after Jean-Baptiste Du Bos pithily stated that “the arts of poetr...

    Paul Guyer in Moses Mendelssohn's Metaphysics and Aesthetics (2011)

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    Chapter

    Natural Ends And The End Of Nature

    Kant’s Critique of the Teleological Power of Judgment was clearly his response to Hume’s Dialogues Concerning Natural Religion. Hume’s Dialogues seem to be a withering criticism of the argument from design, yet K...

    Paul Guyer in Hans Christian Ørsted And The Romantic Legacy In Science (2007)

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    Article

    Ends of Reason and Ends of Nature: The Place of Teleology in Kant's Ethics

    Paul Guyer in The Journal of Value Inquiry (2002)

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    Chapter

    Kant’s Morality of Law and Morality of Freedom

    Kant’s comments on moral philosophy prior to the Groundwork oftheMetaphysics ofMorals of 1785 include two striking claims. The first is the substantive claim that freedom is the source of all value—that it is int...

    Paul Guyer in Kant and Critique: New Essays in Honor of W.H. Werkmeister (1993)