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    Living Reference Work Entry At a glance

    Sinclair, May

    Bürgerliche Kindheit; Beschäftigung mit Literatur, Philosophie und Mystik; Glaubenskrise; 1904 Durchbruch mit dem Roman The Divine Fire; verfasste Romane im Stil des ‚Psychologischen Realismus‘; Einsatz im Ersten...

    Ina Habermann in Kindlers Literatur Lexikon (KLL)

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    Living Reference Work Entry In depth

    Sinclair, May: The Life and Death of Harriett Frean

    Der Roman erschien im ‚annus mirabilis‘ der englischsprachigen Moderne 1922, zeitgleich mit zentralen Werken von James Joyce, Virginia Woolf und T. S. Eliot. Wenngleich weniger bekannt als deren Texte, fügt Sincl...

    Ina Habermann in Kindlers Literatur Lexikon (KLL)

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    Chapter

    English Visions: The Work of Jacquetta Hawkes Priestley

    Jacquetta Hawkes (1910–1996) was a woman of letters instrumental, with her husband J. B. Priestley, in launching the Campaign for Nuclear Disarmament in 1958 and engaged in elaborating a philosophy of human co...

    Ina Habermann in Fashioning England and the English (2018)

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    Book

    Shakespeare and Space

    Theatrical Explorations of the Spatial Paradigm

    Ina Habermann, Michelle Witen in Palgrave Shakespeare Studies (2016)

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    Chapter

    Introduction

    The introduction outlines the collection’s approach to Shakespeare and the study of space, giving an overview of work previously done in the field and offering a taxonomy of notions of space as a theoretical b...

    Ina Habermann, Michelle Witen in Shakespeare and Space (2016)

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    Chapter

    Hamlets Misogynie?

    »[F]railty, thy name is woman« (I.2.146) ist eines der geflügelten Worte, die die Nachwelt Shakespeares dänischem Prinzen zu verdanken hat, und das ist symptomatisch, denn die Tragödie, die oft als frühe und b...

    Ina Habermann in Hamlet-Handbuch (2014)

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    Book

    Myth, Memory and the Middlebrow

    Priestley, du Maurier and the Symbolic Form of Englishness

    Ina Habermann (2010)

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    Chapter

    Identity: Englishness and the Reconfiguration of the Nation

    ‘If it were simply Old, Deep and Enduring’, says Kevin Davey, ‘Englishness, like an oak table, wouldn’t need much more than an occasional polish.’1 Lacking the solidity of an oak table, however, ‘Englishness has ...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Memory: Sha** the Present out of the Past

    It has been argued that discourses about identity, both individual and collective, are mythopoeic. This process of mythmaking also implies a relation to ‘the past’, and to memory. An exploration of Englishness...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    The Skeleton in the Cupboard

    At the beginning of World War Two, Daphne du Maurier was called upon, like many other influential authors, to ‘do her bit’ for propaganda, and she responded by writing some edifying stories for various newspap...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Steak-and-Kidney Pie in the Land of Cockaigne

    J. B. Priestley was a highly influential middlebrow writer who captured, expressed and shaped the mood of the interwar period. Highbrow writers and critics such as Harold Nicolson, Virginia Woolf and the Leavi...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Addressing the People

    Priestley was a prominent author in the 1930s, but he reached the height of his fame and popularity in wartime with a great number of domestic and overseas broadcasts. In particular, his series of ‘Postscripts...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    From Gothic to Memodrama

    Jamaica Inn is a shipwreck narrative, set at the beginning of the nineteenth century. The shipwreck narrative is a popular and culturally significant genre which addresses moments of crisis when social rules and...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Myth: Ideologies, Symbolic Forms and the ‘Mythical Present’

    Cultural stereotypes are often explained with recourse to Roland Barthes’ structuralist concept of myth as expounded in his Mythologies (1958). For Barthes, myth is a sign system that repeats the structure of lan...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Media: Challenging Modernism — the ‘Middlebrow’ and Memodrama

    Modernists, such as Wyndham Lewis or Ezra Pound, announced with iconoclast pathos that the past would disappear in a vortex and give way to the new, as expressed in such experimental movements as vorticism, futur...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    English Journeys

    After looking at Priestley’s fiction, I will analyse how the symbolic form of Englishness was expressed in non-fictional work. The interwar period saw an expanding market for travel literature. As Paul Fussell...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Dreamtime in Cornwall

    Unlike J. B. Priestley, Daphne du Maurier was a ‘born novelist’. She came from a famous and well-connected family of artists, actors and writers, but finding London society uncongenial, fled to Cornwall in her...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    ‘She has that in her belly will dry up your ink’: Femininity as Challenge in the ‘Equitable Drama’ of John Webster

    Theatre in early modern England has for some time been recognized as a crucial form of cultural exchange. It not only expresses but also inquires into and mediates between different types of social performativ...

    Ina Habermann in Literature, Politics and Law in Renaissance England (2005)

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    Chapter

    Autorinnen und Autoren A–Z

    Eckhard Breitinger, Anna-M. Horatschek in Metzler Lexikon Englischsprachiger Autorin… (2002)