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    Chapter

    The “Grand Lady of Literature ”: Virginia Woolf in Italy under Fascism

    Even though Fascism was a harsh and patriarchal dictatorship notorious for its strong nationalism, raised barriers and censored press, there were forums in Fascist Italy where Italian and foreign literatures c...

    Elisa Bolchi in Virginia Woolf and the Literary Marketplace (2010)

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    Chapter

    Appropriating Virginia Woolf for the New Humanism: Seward Collins and The Bookman, 1927–1933

    Virginia Woolf’s frequent contributions to several American magazines, particularly in the 1920s and 1930s, form a side of her writing life influenced by financial concerns, since American magazines paid more ...

    Yuzu Uchida in Virginia Woolf and the Literary Marketplace (2010)

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    Chapter

    ‘The Book is Still Warm’: The Hogarth Press in the Age of Mechanical Reproduction

    Beau Brummell, by Virginia Woolf, published in 1930 by the New York firm of Rimington and Hooper, limited to 550 copies, of which 500 were for sale, had been pulled, at my request, from the bowels of the stacks o...

    Drew Patrick Shannon in Virginia Woolf’s Bloomsbury, Volume 2 (2010)

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    Chapter

    Afterlife

    Iris Murdoch spent her last days at Vale House in Oxford and died there on 8 February 1999 with her husband at her side. Such was her stature in British letters that the BBC evening news gave her death precede...

    Priscilla Martin, Anne Rowe in Iris Murdoch (2010)

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    Chapter

    Circulating Ideas and Selling Periodicals: Leonard Woolf, the Nation and Athenaeum, and Topical Debat

    Throughout their careers as authors, journalists, and publishers, Virginia and Leonard Woolf wrote and published hundreds of books, reviews, articles, and essays that might be considered polemical, whether the...

    Elizabeth Dickens in Virginia Woolf and the Literary Marketplace (2010)

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    Chapter

    Back to Bloomsbury

    Of the one or two questions in life that I prefer to duck, perhaps the most frequent comes from the daunting and amiable creature, the Bloomsbury enthusiast. What was she like? they ask.

    Cecil Woolf in Virginia Woolf’s Bloomsbury, Volume 1 (2010)

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    Chapter

    Introduction: The Universe of Hypertext Fiction

    This book offers a new critical approach for the analysis of hypertext fiction. The term ‘hypertext’, coined within the work of Nelson (1965, 1970, 1974, 1981), can be most simply defined as ‘non-sequential wr...

    Alice Bell in The Possible Worlds of Hypertext Fiction (2010)

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    Chapter

    Diversity, Ethnicity, Madness and Fiction

    In creating a single chapter on diversity issues in post-1945 literature, we face a number of basic difficulties. There is little consensus on what terms such as ‘diversity’ and ‘ethnicity’ mean. From the poin...

    Charley Baker, Paul Crawford, B. J. Brown in Madness in Post-1945 British and American … (2010)

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    Chapter

    A System Illusory and Immoral: Jonathan Swift and the Emergence of the Modern Economic Polity

    Jonathan Swift, Dean of St Patrick’s Dublin, sometime Drapier, has entered history at least in part for his writings about money. He was a man of his time — at least in so far as an understanding of economics ...

    Christopher J. Fauske in Culture, Capital and Representation (2010)

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    Chapter

    Virginia Woolf and the Middlebrow Market of the Familiar Essay

    In “Middlebrow,” Virginia Woolf attacked the category of the “Broadbrow,” defended by J. B. Priestley in a talk on the BBC (Priestley, “High”).1 As Melba Cuddy-Keane has shown, Woolf posited her “democratic highb...

    Caroline Pollentier in Virginia Woolf and the Literary Marketplace (2010)

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    Chapter

    ‘A stiff is still a stiff in this country’: the Problem of Murder in Wartime

    My title comes from Margery Allingham’s 1945 novel Coroner’s Pidgin, and its absurd assertion of moral force is indicative of the contradictions pervading popular fiction in wartime. The words are spoken by Mager...

    Gill Plain in Conflict, Nationhood and Corporeality in Modern Literature (2010)

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    Chapter

    Communication, Contradictions and World Views in Michael Joyce’s afternoon: a story

    afternoon: a story, published in 1987 by Eastgate Systems, was one of the first Storyspace hypertexts to emerge. Now, its notoriety extends beyond the field of hypertext studies to the canon of contemporary Ameri...

    Alice Bell in The Possible Worlds of Hypertext Fiction (2010)

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    Chapter

    Conclusion: Re-presenting Capital in Culture: the Necessary Persistence of Memory in a New Century

    In the first decade of the early twenty-first century, and despite the promises of globalisation, ideas about the value of labour, education, race and gender can still be gauged in terms of long-established co...

    Robert J. Balfour in Culture, Capital and Representation (2010)

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    Chapter

    Postmodern Madness

    The post-war period of postmodernity provided a cultural and social milieu in which to discuss madness through a variety of discourses. Madness appeared, and continues to appear, to extend beyond occasional me...

    Charley Baker, Paul Crawford, B. J. Brown in Madness in Post-1945 British and American … (2010)

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    Chapter

    Introduction

    Postcolonial Studies and Kipling have a curious symbiotic relationship. Edward Said’s Orientalism (1978), the foundational text in the field, renewed interest in Kipling as a representative Orientalist, who not o...

    Caroline Rooney, Kaori Nagai in Kipling and Beyond (2010)

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    Chapter

    Money, Manhood and Suffrage in Our Mutual Friend

    Almost precisely half-way through Charles Dickens’s capacious and last complete novel, Our Mutual Friend, the mercenary beauty, Bella Wilfer comes to reflect on the power of the substance she has spent her short ...

    Ruth Livesey in Culture, Capital and Representation (2010)

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    Chapter

    The Skeleton in the Cupboard

    At the beginning of World War Two, Daphne du Maurier was called upon, like many other influential authors, to ‘do her bit’ for propaganda, and she responded by writing some edifying stories for various newspap...

    Ina Habermann in Myth, Memory and the Middlebrow (2010)

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    Chapter

    Woolf, Fry and the Psycho-Aesthetics of Solidity

    I begin this chapter with two passages from Virginia Woolf’s novels of the 1920s, which both feature characters contemplating the question of painting’s progress and feature a crucial if ambiguous word: ‘solid...

    Benjamin Harvey in Virginia Woolf’s Bloomsbury, Volume 1 (2010)

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    Chapter

    ‘One step closer to the dreamers of the nightmare’: the Fascinating Fascist Corpus in Contemporary British Fiction

    In the 1970s and 1980s, the often eroticized representation of Nazism in film and literature caused considerable unease amongst critics and intellectuals: what could ‘fascinating fascism’ (as Susan Sontag call...

    Petra Rau in Conflict, Nationhood and Corporeality in Modern Literature (2010)

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    Chapter

    Is there a Mary/Shelley in this World? Rewrites and Counterparts in Shelley Jackson’s (1995) Patchwork Girl

    Shelley Jackson’s Patchwork Girl; Or, a Modern Monster (1995) is a gothic novel in which the protagonist, the patchwork girl of the title, is a supernatural being comprised of a collection of human body parts don...

    Alice Bell in The Possible Worlds of Hypertext Fiction (2010)

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