Log in

“I Can Tell You Have ‘Special Understanding’”: Young Science Fiction Readers and Alexander Key’s The Forgotten Door

  • Original Paper
  • Published:
Children's Literature in Education Aims and scope Submit manuscript

Abstract

Despite the influence of Alexander Key’s novels on children’s culture of the sixties and seventies, his work as a science fiction writer has not been widely considered by children’s literature scholars. This study moves beyond ideological and structural examinations of children’s SF to analyze the responses of real child readers to Key’s novel, The Forgotten Door. Utilizing children’s letters housed at the de Grummond Children’s Literature Collection alongside reviews from adult readers posted on Amazon, it traces how the novel encourages readers to think more critically about issues such as discrimination, violence, animal welfare, and their own behavior. At the same time, it shows how children understand the book as speaking to their own experiences and concerns and the sense of kinship they share with Key. Their responses demonstrate how science fiction novels like The Forgotten Door can serve as a point of connection between adults and child readers.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Subscribe and save

Springer+ Basic
EUR 32.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or Ebook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Similar content being viewed by others

Notes

  1. Key was one of twenty-two writers named as favorites in Farah Mendlesohn’s survey of SF readers, receiving the same percentage of votes as writers such as  Stan Lee and Peter Dickinson (2009, p. 215).

  2. The “New Wave” refers to a generation of British avant-garde science fiction writers known for their experimental style and often pessimistic visions of the future, including writers like J.G. Ballard and Brian Aldiss (Levy and Stableford, 1995, p. 225).

  3. This same plot is repeated in Escape to Witch Mountain (1968), Jagger: The Dog from Elsewhere (1976), The Case of the Vanishing Boy (1979), and Flight to the Lonesome Place (1967). All feature aliens/supernaturally gifted protagonists (often orphans) seeking a place to belong.

  4. While this language recalls the rhetoric of colorblindness, Key’s novels are overtly critical of discrimination. Black and Native American characters are protagonists in novels like The Magic Meadow, Flight to the Lonesome Place, and Jagger. These novels suggest that people from marginalized groups possess a more compassionate outlook that makes them superior to less enlightened humans.

  5. These themes are also embodied in the character of Thomas Bean, a Korean War veteran whose experiences have led him to reject guns and violence and opt out of the commercial “rat race” by moving with his family to the wilderness.

References

  • Alexander Key Papers. Fan mail. February, 1966-November, 1978. Boxes 1/3-5/12. de Grummond Children’s Literature Collection. University of Southern Mississippi. Hattiesburg, MS.

  • Amazon Reviews. Escape to Witch Mountain. Kindle. (2009). Amazon.com Accessed Oct 4 2021 from https://www.amazon.com/Escape-Witch-Mountain-Alexander-Key-ebook/dp/B003D8V7CQ/ref=sr_1_3?crid=1JCHUH1ZLRXAH&keywords=escape+to+witch+mountain&qid=1672673370&sprefix=escape+to+witch+mountain%2Caps%2C115&sr=8-3#customerReviews

  • Amazon Reviews. The Forgotten Door. Kindle (2014). Accessed Oct 4 2021 from https://www.amazon.com/Forgotten-Door-Alexander-Key-ebook/dp/B00LLSF4VU/ref=sr_1_1?crid=13XEFHL3IEU3T&keywords=the+forgotten+door+key&qid=1672672460&sprefix=%2Caps%2C79&sr=8-1#customerReviews

  • Applebaum, Noga. (2009). Representations of Technology in Science Fiction for Young People. New York: Routledge.

    Book  Google Scholar 

  • Ball, Jonathan. (2011). Young Adult Science Fiction as a Socially Conservative Genre. Jeunesse: Young People, Texts, Cultures, (3) 2,162–174.

  • Bernstein, Robin. (2011). Racial Innocence: Performing American Childhood from Slavery to Civil Rights. New York: New York University Press.

    Google Scholar 

  • Campbell, Joseph W. (2019). The Order and the Other: Young Adult Dystopian Literature and Science Fiction. Jackson: University Press of Mississippi.

    Book  Google Scholar 

  • Derrida, Jacques (2002). The Animal That Therefore I Am (More to Follow). Trans. David Wills. Critical Inquiry, 28(2), 369–418.

    Article  Google Scholar 

  • Ford Smith, Victoria. (2020). Katharine Hull, Pamela Whitlock, and the ‘Ransome Style.’ In Rachel Conrad and L. Brown Kennedy (Eds.), Literary Cultures and Twentieth Century Childhoods (pp. 203–218). Palgrave MacMillan.

  • Gubar, Marah. (2009). Artful Dodgers: Reconceiving the Golden Age of Children’s Literature. New York: Oxford University Press.

    Book  Google Scholar 

  • Heinecken, Dawn (2013). ’All of Her Changes have Made Me Think of My Changes’: Fan Readings of Phyllis Reynolds Naylor’s Alice Series. Children’s Literature in Education, 44(2), 104–119.

    Article  Google Scholar 

  • Hollindale, Peter. (1997). Signs of Childness in Children’s Books. Stroud: Thimble Press.

    Google Scholar 

  • Jenkins, Henry. (1992). Textual Poachers: Television Fans and Participatory Culture. New York: Routledge.

    Google Scholar 

  • Key, Alexander. (1973/1968) Escape to Witch Mountain. New York: Simon and Schuster: New York

  • Key, Alexander. (2014a/1967). Flight to the Lonesome Place. New York: Open Road Integrated Media. Kindle

  • Key, Alexander. (2014d/1976) Jagger: The Dog from Elsewhere. New York: Open Road Integrated Media. Kindle.

  • Key, Alexander. (2015/1964) Sprockets: A Little Robot. New York: Open Road Integrated Media: Kindle

  • Key, Alexander. (1979). The Case of the Vanishing Boy. New York: Simon and Schuster.

    Google Scholar 

  • Key, Alexander. (1965). The Forgotten Door. New York: Scholastic Books.

    Google Scholar 

  • Key, Alexander. (1969). The Golden Enemy. Philadelphia: The Westminster Press.

    Google Scholar 

  • Key, Alexander. 2014b/ 1970) The Incredible Tide. New York: Open Road Integrated Media. Kindle

  • Key, Alexander. (2014c/1975) The Magic Meadow. New York: Open Road Integrated Media: Kindle

  • Kuecker, Elliott (2022). Somethings About Me: Slanted Conventions in Children’s Letters to Beloved Authors. Journal of Childhood Studies, 47(2), 50–67.

    Article  Google Scholar 

  • Larbalestier, Justine. (2002). The Battle of the Sexes in Science Fiction. Middletown, CT: Wesleyan University Press.

    Google Scholar 

  • Levy, Michael M., and Stableford, Brian (1995). The New Wave, Cyberpunk, and Beyond: 1963–1994. In Neil Barron (Ed.), Anatomy of Wonder: A Critical Guide to Science Fiction, (pp. 222–377). New Providence, N.J: R.R. Bowker.

    Google Scholar 

  • May, Jill P., and Nodelman, Perry (1986). The Perils of Generalizing about Children’s Science Fiction. Science Fiction Studies, 13(2), 225–229.

    Google Scholar 

  • Mendlesohn, Farah. (2009). The Intergalactic Playground: A Critical Study of Children’s and Teens Science Fiction. Jefferson, N.C.: McFarland and Co.

    Google Scholar 

  • Molson, Francis, and Miles, Susan (1995). Young Adult Science Fiction. In Neil Barron (Ed.), Anatomy of Wonder: A Critical Guide to Science Fiction, 4th ed (pp. 395–452). New Providence, NJ: R.R. Bowker.

    Google Scholar 

  • Moruzi, Kristine, Smith, Michelle J., and Bullen, Elizabeth. (2017). Affect, Emotion, and Children’s Literature: Representation and Socialisation in Texts for Children and Young Adults. Abingdon: Routledge.

    Book  Google Scholar 

  • Moruzi, Kristine (2017). Charity, Affect, and Waif Novels. In Kristine Moruzi, Michelle J. Smith and Elizabeth Bullen (Eds.), Affect, Emotion, and Children’s Literature: Representation and Socialisation in Texts for Children and Young Adults, (pp. 33–51). Abingdon: Routledge.

    Chapter  Google Scholar 

  • Myers, Mitzi (1995). Of Mimicry and (Wo)mans: Infans or Forked Tongue? Children’s Literature, 23, 66–70.

    Article  Google Scholar 

  • Nikolajeva, Maria (2017). Emotions and Ethics: Implications for Children’s Literature. In Kristine Moruzi, Michelle J. Smith and Elizabeth Bullen (Eds.), Affect, Emotion, and Children’s Literature: Representation and Socialisation in Texts for Children and Young Adults, (pp. 81–95). Abingdon: Routledge.

    Chapter  Google Scholar 

  • Nikolajeva, Maria. (2014). Reading for Learning: Cognitive Approaches to Children’s Literature. UK: John Benjamins Publishing.

    Book  Google Scholar 

  • Nodelman, Perry (1985). Out there in Children’s Science Fiction: Forward into the Past. Science Fiction Studies, 12(3), 285–296.

    Google Scholar 

  • Pohl, Frederick (1982). Science Fiction for the Young (at Heart). Children’s Literature, 10, 111–112.

    Article  Google Scholar 

  • Roach, Ron R. (2014). Witch Mountains and Forgotten Doors: Place, Apocalypse, and Wilderness in the Works of Appalachian Writer Alexander Key. Appalachian Journal, (41), 1/2, 126-147.

  • Roberts, Thomas J. (1973). Science Fiction and the Adolescent. Children’s Literature, 2, 87–91.

    Article  Google Scholar 

  • Sara, Schwebel (2016). The Limits of Agency for Children’s Literature Scholars. Jeunesse, 8(1), 278–290.

    Article  Google Scholar 

  • Stimpson, Catharine R. (1990). Reading for Love: Canons, Paracanons, and Whistling Jo March. New Literary History, 21(4), 957–976.

    Article  Google Scholar 

  • Suvin, Darko. (1979). Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre. New Haven, CT: Yale University Press.

    Google Scholar 

  • Waller, Alison. (2019). Rereading Childhood Books: A Poetics. London: Bloomsbury Academic.

    Book  Google Scholar 

  • Waller, Alison (2017). Re-memorying: A New Phenomenological Methodology in Children’s Literature Studies. In Clémentine. Beauvais and Maria Nikolajeva (Eds.), The Edinburgh Companion to Children’s Literature, (pp. 136–149). Edinburgh: Edinburgh UP.

    Chapter  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Dawn Heinecken.

Additional information

Publisher's Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Dawn Heinecken is Professor in the department of Women’s, Gender, and Sexuality at the University of Louisville, where she teaches courses in children’s literature, science fiction, and media studies.

Rights and permissions

Springer Nature or its licensor (e.g. a society or other partner) holds exclusive rights to this article under a publishing agreement with the author(s) or other rightsholder(s); author self-archiving of the accepted manuscript version of this article is solely governed by the terms of such publishing agreement and applicable law.

Reprints and permissions

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Heinecken, D. “I Can Tell You Have ‘Special Understanding’”: Young Science Fiction Readers and Alexander Key’s The Forgotten Door. Child Lit Educ (2023). https://doi.org/10.1007/s10583-023-09548-6

Download citation

  • Accepted:

  • Published:

  • DOI: https://doi.org/10.1007/s10583-023-09548-6

Keywords

Navigation