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Showing 1-20 of 376 results
  1. Introducing Feminism and Fandom

    The book’s introductory chapter centers on the importance of exploring fandom in conjunction with feminism and researching feminist women fans more...
    Chapter 2022
  2. Working Women on Screen Paid Labour and Fourth Wave Feminism

    Working Women on Screen: Paid Labour and Fourth Wave Feminism critically examines screen media representations of women’s participation in the...

    Ellie Tomsett, Nathalie Weidhase, Poppy Wilde in Palgrave Studies in (Re)Presenting Gender
    Book 2024
  3. Introduction: The “Post(?)-Feminist” Moment in Contemporary Classical Music

    The introductory chapter gives an overview of the collection’s breadth of focus, arising from the composer-authors themselves, and pointing to the...
    Linda Kouvaras in The Composer, Herself
    Chapter 2024
  4. We were there: The Third World Women’s Alliance and the second wave

    Esmeralda Arrizón-Palomera in Latino Studies
    Article 15 November 2022
  5. Femvertising and Commodity Feminism: The Brazilian Context

    Issues related to women in advertising, although recurrent in academic debate, are far from exhausted. Although studies have interrogated the...
    Soraya Barreto Januário in The Cultural Politics of Femvertising
    Chapter 2022
  6. The Slasher Film and the Final Girl Get Makeovers: It Follows and the Politics of Fourth Wave Feminism

    This chapter looks at how David Robert Mitchell’s 2015 supernatural slasher film, It Follows, updates Carol Clover’s theorization of the slasher...
    Chapter 2020
  7. The Impact of Femvertising on Pink Breast Cancer Products in Australia

    Given the recent #MeToo and Times Up movements, and the growing mainstream interest in femvertising since 2014, one might anticipate a change of...
    Catarina Agostino, Renee Middlemost in The Cultural Politics of Femvertising
    Chapter 2022
  8. Women’s Avenues of Digital Activism: Fighting for Their Own

    In recent years, the global women’s rights movement has flourished, with groups from all over the world making increasing use of the internet and...
    Chapter 2023
  9. Feminism, Facts, and Fear: The Protean Reception of The Handmaid’s Tale (Atwood 1985, Miller 2017–)

    When Margaret Atwood’s visceral dystopia first appeared in 1985, Mary McCarthy of the New York Times criticized the book for its implausibility,...
    Elizabeth Mullen in Adapting Margaret Atwood
    Chapter 2021
  10. Introduction: I Will Not Be the Last

    The suffragist parade in 1913 on the eve of President Wilson’s inauguration was marred by violence, but that was not going to stop the movement....
    Chapter 2023
  11. “I Am the Highest Paid Showrunner in Television!” Shonda Rhimes’ Work and Influence in the Media Industry

    The work of American television producer Shonda Rhimes is influential both in terms of on-screen representations and the wider media industry. In the...
    Adelina Mbinjama, Sisanda Nkoala in Working Women on Screen
    Chapter 2024
  12. The Mediatisation and Media Practice of Citizen Media and GBV: A Case of etvScandal Soap Opera Facebook Page

    The chapter argues that the self-mediation activism on gender-based violence (GBV) we see on etvScandal Facebook page is a form of citizen social...
    Chapter 2023
  13. “You Deserve to Be Satisfied”: Women in Tech and the Affective Reconfiguration of the Workplace Through Song in Zoey’s Extraordinary Playlist

    Since the late 2000s, public debates over “women in tech” have highlighted the lack of diversity in the sector, coinciding with a moment of growth...
    Eleonora Sammartino in Working Women on Screen
    Chapter 2024
  14. “I Took a Dump on the Glass Ceiling”: Veep, Incompetence, and Populist Political Culture

    The final season of Veep follows fictional former US Vice-President and President Selina Meyer’s quest for re-election. Airing in 2019, it was the...
    Nathalie Weidhase in Working Women on Screen
    Chapter 2024
  15. Representing Sex Workers: The Experiences of Shae, Ros and Daisy in Game of Thrones (2011–2019)

    Writing in the New Statesman, Alison Phipps (New Statesman, 24 November 2014) advocates that feminism needs sex workers if we are to make women’s...
    Louise Coopey in Working Women on Screen
    Chapter 2024
  16. Safe Spaces on Social Media Platforms: Selective Censorship and Content Moderation in Reddit’s r/TwoXChromosomes

    The advent of the internet and social media platforms unlocked the potential for feminist collaboration, debate, and action on a scale never before...
    Chapter 2023
  17. Following in Gezi’s Steps: Women’s Activism After the Gezi Protests

    The Gezi Protests, with no centralized leadership, created many different interest groups uttering their demands. Women’s groups were among the most...
    Chapter 2023
  18. Introduction: Wonder Women, Iron Ladies

    Women Filmmakers in Contemporary Hindi Cinema: Looking Through Their Gaze promises to be a comprehensive anthology with essays on women film...
    Chapter 2023
  19. Intersectionality in Feminist Hashtags and Democracy: How the Black Women’s Day in Brazil Mobilizes Specificities within the Feminist Movement

    In 1992, after a meeting of Black women in the Dominican Republic, July 25 became the International Day of Black, Latin American, and Caribbean Women...
    Bruna Silveira de Oliveira, Maiara Orlandini in Women’s Activism Online and the Global Struggle for Social Change
    Chapter 2023
  20. Postfeminist Sensibility as a Structure of Feeling

    In this chapter we introduce the book by identifying emerging themes in discussions of a postfeminist sensibility. We highlight digital culture, a...
    Adrienne Evans, Sarah Riley in Digital Feeling
    Chapter 2023
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