Puppet Intervention in the Early Childhood Classroom

Augusto Boal’s Influences and Beyond

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Youth and Theatre of the Oppressed
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Abstract

Acry of “Stop!” rang out as the scene onstage started to heat up and become intensely charged with emotion. That “Stop!” was not from the performers but from an audience member exercising his right to do the unthinkable, to halt the performance and offer spontaneous alternatives to the situation onstage.

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References

  • Boal, Augusto. 1992. Games for actors and non-actors. London: Routledge.

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  • Crotty, Michael J. 2004. Describing Freire. In Foundations of social research: Meaning and perspective in the research process, 155–56. London: Sage.

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  • Dishy, Andrea, Trina Fischer, Karina Naumer, and Helen Wheelock. 2006. Using puppetry as a means to cope with conflict in the early childhood classroom. Handout for Theatre of the Oppressed Conference at the University of North Carolina, Chapel Hill, NC.

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  • Vine, Chris. 2006. Quote from a private conversation with him at Creative Arts Team, New York City, NY.

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  • Wheelock, Helen. 2007. Description of puppet intervention in Coyote’s Surprise. Private collection, Creative Arts Team.

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Authors

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Peter Duffy Elinor Vettraino

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© 2010 Peter Duffy and Elinor Vettraino

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Dishy, A., Naumer, K. (2010). Puppet Intervention in the Early Childhood Classroom. In: Duffy, P., Vettraino, E. (eds) Youth and Theatre of the Oppressed. Palgrave Macmillan, New York. https://doi.org/10.1057/9780230105966_2

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