Abstract
This paper sums up experiences and reflections obtained by undertaking a two-years ethnography within spaces of consumption of electronic music, specifically clubs of house and techno music. Its focus are the unexpected ethical and logistic dilemmas I faced during my own doctoral research. The information is presented as strategies for embodiment, memory, and consent. The aim of this paper is to help other researchers from the disciplines of art and design to orientate their work in similar settings and topics—clubs, spaces of consumption of music, the aesthetics of youth and subcultures, event design, and experience design—and with similar methodological tools—participatory observations and interviews.
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This work was financed by national funds through the Portuguese FCT – Fundação para a Ciência e a Tecnologia.
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Lugo-Elías, C., Cardoso, P. (2023). Embodiment, Memory, and Consent: Strategies to Conduct a Research in Design Using Participatory Observation in Clubs. In: Martins, N., Brandão, D. (eds) Advances in Design and Digital Communication III. DIGICOM 2022. Springer Series in Design and Innovation , vol 27. Springer, Cham. https://doi.org/10.1007/978-3-031-20364-0_3
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