Abstract
This chapter explores the question ‘Is Shakespeare perceived as one of the powerful global icons through which local education is westernised?’ in Japan. It foregrounds the perceptions of people studying and teaching Shakespeare in Japan in the early twenty-first century. The chapter demonstrates that some of these perceptions around Shakespeare in Japanese higher education are predicated on a binaric understanding of Shakespeare as the ‘foreign’/’other’/west, distinct from the ‘indigenous’/‘our’/East Asian. His foreignness is perceived varyingly from positive to malignant, with reference to the nature and purpose of subject English; the use of western productions in the classroom; and the delivery of a westernized ‘world view’ through Shakespeare. However, other perceptions explicitly or implicitly trouble this supposed polarity, emphasising Shakespeare as (adapted to be) local, regional and Asian, in terms of perceptions of his bawdy humour, affinity with Japanese history and culture, and use of locally-made or -inflected resources.
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Acknowledgements
I wish to thank the British Academy, the British Council, the GB Sasakawa Foundation, York Research Champions Culture and Communications strand, the University of Hiroshima, and Toyo University for funding my research visits to Japan. Thanks also to the Education Department, University of York, for one term’s research leave, which enabled one of my visits to Japan, the flexibilities that enabled a couple more, and its students (also those of the Shakespeare Institute, University of Birmingham) who indulged me in conversations about this research. I was fortunate to have multiple opportunities to discuss this work at conferences and seminars. I am hugely grateful to those who invited me, especially Kohei Uchimaru for a seminar at Toyo University, with students planning to teach English in Japan; Umemiya Yu for ‘Shakespeare Day’ at Waseda University; as well as Susan Bennett and Sonia Massai at their seminar ‘Rethinking the “Global“ in Global Shakespeare’ at the Shakespeare Association of America congress in 2018. Uchimaru-sensei also read this chapter with tremendous care and generously offered corrections, caveats and extremely pertinent, additional reading (any errors or omissions are mine alone). I would like to thank the staff and students of the following universities who hosted me, talked with me or otherwise contributed to this research: Japan Women’s, Nihon, Takasaki, Tokyo, Toyo and Waseda. In addition to those academics cited throughout this article, my sincere thanks to Aoki Keiko, Endo Hanako, Rosalind Fielding, Igarashi Hirohisa, Samantha Landau, Matsuda Yoshiko, Ve-Yin Tee, Alex Watson and Laurence Williams. I am profoundly grateful for the British Shakespeare Association’s impetus to found, and its continued support for, the free, online magazine for cross-sector educators, Teaching Shakespeare.
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Olive, S. (2021). The West and the Resistance: Stakeholders’ Perceptions of Teaching Shakespeare for and against Westernisation in Japanese Higher Education. In: Shakespeare in East Asian Education. Global Shakespeares. Palgrave Pivot, Cham. https://doi.org/10.1007/978-3-030-64796-4_5
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