Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter

  • Chapter
Teaching Medieval and Early Modern Cross-Cultural Encounters

Part of the book series: The New Middle Ages ((TNMA))

  • 280 Accesses

Abstract

Teaching the cross-cultural encounters of the Middle Ages opens various avenues for exploration and discovery: the conflicts of yesteryear spark contemporary insights, creating possibilities of understanding as students grapple with the ways in which societies have interacted violently or peacefully, with weapons or through dialogue. As the previous essays of this volume indicate, cross-cultural encounters ask students to interpret issues from multiple perspectives, to analyze texts for contradictions and inconsistencies, and to theorize the meaning of cultural self-constructions vis-à-vis other communities. At the same time, as instructors of the medieval and early modern past, we must also confront the ways in which medievalism is itself a cross-cultural encounter through time, one that merits reflection for the ways in which it influences our teaching, and thus for the ways in which our teaching influences students’ learning. Too often attempts to discuss cross-cultural encounters in the historical record devolve into a collective sense of relief that the horrors of the past have been surpassed in our ostensibly enlightened present. Yes, students nod sincerely, the many wars of the past founded upon ethnic and religious intolerance were deplorable, and let us condemn the Crusades from the comfortable position of being chronologically removed from them. Such a perspective also, if tacitly, sees contemporary Western culture as inherently superior to the past during which such hostilities were fostered, with students potentially remaining oblivious to the similarities of yesterday and today.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Subscribe and save

Springer+ Basic
EUR 32.99 /Month
  • Get 10 units per month
  • Download Article/Chapter or Ebook
  • 1 Unit = 1 Article or 1 Chapter
  • Cancel anytime
Subscribe now

Buy Now

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free ship** worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free ship** worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Similar content being viewed by others

Suggestions for Further Reading

Secondary Sources

  • Ashton, Gail, and Louise Sylvester, eds. Teaching Chaucer. New York: Palgrave Macmillan, 2007.

    Google Scholar 

  • Blandeau, Agnès. Pasolini, Chaucer, and Boccaccio: Two Medieval Texts and Their Translation to Film. Jefferson, NC: McFarland, 2006.

    Google Scholar 

  • Burgess, Jean, and Joshua Green. YouTube: Online Video and Participatory Culture. Cambridge: Polity, 2009.

    Google Scholar 

  • Burt, Richard. Medieval and Early Modern Film and Media. Basingstoke: Palgrave Macmillan, 2008.

    Google Scholar 

  • Chun, Wendy Hui Kyong, and Thomas Keenan, eds. New Media, Old Media: A History and Theory Reader. New York: Routledge, 2006.

    Google Scholar 

  • Ellis, Steven. Chaucer at Large: The Poet in the Modern Imagination. Minneapolis: University of Minnesota Press, 2000.

    Google Scholar 

  • Everett, Anna, and John T. Caldwell, eds. New Media: Theories of Practices and Digitextuality. New York: Routledge, 2003.

    Google Scholar 

  • Finke, Laurie, and Martin B. Shichtman. Cinematic Illuminations: The Middle Ages on Film. Baltimore: Johns Hopkins University Press, 2010.

    Google Scholar 

  • Flew, Terry. New Media: An Introduction. South Melbourne: Oxford University Press, 2002.

    Google Scholar 

  • Forni, Kathleen. Chaucer’s Afterlife: Adaptations in Recent Popular Culture. Jefferson, NC: McFarland, 2013.

    Google Scholar 

  • Foys, Martin K. Virtually Anglo-Saxon: Old Media, New Media, and Early Medieval Studies in the Late Age of Print. Gainesville: University Press of Florida, 2007.

    Google Scholar 

  • Levinson, Paul. New New Media. Boston: Allyn & Bacon, 2009.

    Google Scholar 

  • Pate, Alexis. In the Heart of the Beat: The Poetry of Rap. Lanham, MD: Scarecrow, 2010.

    Google Scholar 

  • Trigg, Stephanie. Congenial Souls: Reading Chaucer from Medieval to Postmodern. Minneapolis: University of Minnesota Press, 2002.

    Google Scholar 

Download references

Authors

Editor information

Editors and Affiliations

Copyright information

© 2014 Karina F. Attar and Lynn Shutters

About this chapter

Cite this chapter

Pugh, T. (2014). Teaching Chaucer through Convergence Culture: The New Media Middle Ages as Cross-Cultural Encounter. In: Attar, K.F., Shutters, L. (eds) Teaching Medieval and Early Modern Cross-Cultural Encounters. The New Middle Ages. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137465726_13

Download citation

Publish with us

Policies and ethics

Navigation