Abstract
When the Beatles made their 1964 Ed Sullivan debut, cameras lingered not only on the charismatic band members, but the screaming teenage girls in the audience. Eyes wide open, mouth open in a continuous scream, tears streaming down the face—these images transmitted onto TV sets. In subsequent news footage and in A Hard Day’s Night, close-ups of these young women appeared almost as frequently as the Fab Four. Bemused reporters interviewed them with tongue firmly in cheek; late-night talk-show hosts such as Jack Paar chuckled at them. Fifty years later, this image pervades the fandom, and men outnumber women on expert panels at the annual Fest for Beatles Fans conventions. This chapter explores how women’s roles have evolved in contributing to Beatles knowledge. How have they added their experiences and perspectives, and have they helped rewrite aspects of history? A discussion of the future of women in Beatles history—and whether women have fully escaped the early hysterical fan images—concludes the chapter.
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O’Toole, K. (2016). “She Said She Said”: How Women Have Transformed from Fans to Authors in Beatles History. In: Womack, K., Kapurch, K. (eds) New Critical Perspectives on the Beatles. Pop Music, Culture and Identity. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-57013-0_10
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