Abstract
In this chapter, Michael defines gendered testimonies and delineates surrounding cultures to provide opportunities for develo** useful insights for those working in this area. She investigates testimonies from inside and outside academia, as well as on- and offline, to analyse thematic currents like testimony and the power to speak, to listen and to be heard; legal versus cathartic and artistic expressions of testimony, and the possibilities and challenges of speaking out in an increasingly hybrid digitalised world. While discussing the new bind of silencing and discounting that manifests itself through online misogynist subcultures, she also reflects on testimonies that reach encouraging support networks, and points to ways of mitigating (narrative) violence for professionals, academics, readers, witnesses and survivors.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Notes
- 1.
Although #MeToo gained unprecedented global attention in 2017 after sexual harassment allegations against Harvey Weinstein, MeToo is an organisation that was founded in 2007 by African American activist Tarana Burke to support girls and women of colour who have survived sexual violence (Gilmore, 2017).
- 2.
Margaretta Jolly (2014: 5) also notes that “the art of [testimonial] life narrative […] can work as a crucial complement to legal or governmental action”.
- 3.
Examples of such long-term sexual relationships include, inter alia, undergraduate and postgraduate students/researchers and professors/supervisors and adoptive or biological daughters with father figures.
- 4.
See also Jacques Derrida’s (2004) letter to the Chancellor of Irvine University, California, in which the philosopher threatens to remove all the work he had donated to the university if it took action based on allegations of sexual misconduct against his friend and colleague Dragan Kujundzic, while also discrediting the accuser’s testimony: http://www.jacques-derrida.org/Cicerone.html.
- 5.
For the letter see: http://www.ubcaccountable.com/open-letter/steven-galloway-ubc/.
- 6.
Margaret Atwood later apologised. Extremist sub-cultures associated with men’s rights activist groups like incels (from involuntary celibacy) have carried out public attacks and they use social media and other online platforms like YouTube to proselytise and to perpetuate their misogynistic views and ideologies that at times promote hate crimes like murder and rape (see Papadamou et al., 2020; Tomkinson et al., 2020).
- 7.
In relation to leaving traces and demanding accountability, see the Academic Misconduct Database: https://academic-sexual-misconduct-database.org/index.php/incidents.
- 8.
See also Paula Uimonen’s (2019: 2) analysis of the digital archive of gendered testimonies of abuse as part of Sweden’s “difficult cultural heritage” that was made possible through “hashtag visuality” and emerged via the Nordic Museum’s campaign, which aimed at capturing the #MeToo moment in Sweden in 2017.
References
Ahmed, S. (2010). The Cultural Politics of Emotion. Edinburgh University Press.
Ahmed, S. (2016a). Resignation Is a Feminist Issue. Feminist Killjoys, August 27. Retrieved March 27, 2023, from https://feministkilljoys.com/2016/08/27/resignation-is-a-feminist-issue/
Ahmed, S. (2016b). Speaking out. Feminist Killjoys, June 2. Retrieved March 27, 2023, from https://feministkilljoys.com/2016/06/02/speaking-out/
Andrews, B., Brewin, C. R., Rose, S., & Kirk, M. (2000). Predicting PTSD Symptoms in Victims of Violent Crime: The Role of Shame, Anger and Childhood Abuse. Journal of Abnormal Psychology, 109(1), 69–73. https://doi.org/10.1037/0021-843X.109.1.69
McCarthy, T., & Araki, G. (2017–2020). 13 Reasons Why. https://www.netflix.com/search?q=thirteen%20reasons%20why&jbv=80117470
Balfour, G., Du Mont, J., & White, D. (2018). ‘To this day she continues to struggle with the terror imposed upon her’: Rape Narratives in Victim Impact Statements. Women & Criminal Justice, 28(1), 43–62. https://doi.org/10.1080/08974454.2017.1342744
Balter, M. (2018). A #StemToo Rogue’s Gallery of Sexual Harassers. Predators, and Bullies in the Sciences. Balter’s Blog, December 14. Retrieved March 27, 2023, from http://michael-balter.blogspot.com/2018/12/sexual-abusers-i-have-known.html
Balter, M. (2019). I Now Publish #MeToo Stories on my Blog for Free, Here’s Why. Columbia Journalism Review, September 4. Retrieved March 27, 2023, from https://www.cjr.org/opinion/metoo-academia-sexual-assault-harassment.php
Battaglia, J. E., Edley, P. P., & Newsom, V. A. (2019). Intersectional Feminisms and Sexual Violence in the Era of Me Too, Trump, and Kavanaugh. Women & Language, 42(1), np.
Benedet, J., & Grant, I. (2007). Hearing the Sexual Assault Complaints of Women with Mental Disabilities: Consent, Capacity, and Mistaken Belief. McGill Law Journal, 52(2), 243–289.
Butler, J. (1997). Excitable Speech: A Politics of the Performative. Routledge.
Cardell, K., & Douglas, K. (2018). Why Literature Students Should Practice Life Writing. Arts and Humanities in Higher Education, 17(2), 204–221. https://doi.org/10.1177/1474022216635825
Chute, H. L. (2010). Graphic Women: Life Narrative & Contemporary Comics. Columbia University Press.
Cohen, B, & Shenk, J. (2016). Audrie and Daisy. https://www.netflix.com/search?q=audrie%20and%20&jbv=80097321
D’Agati, D., Beaudry, M. B., & Swartz, K. (2019). Thirteen Reasons Why Revisited: A Monograph for Teens, Parents, and Mental Health Professionals. Journal of Medical Humanities, 42(3), 345–353. https://doi.org/10.1007/s10912-019-09548-y
Derrida, J. (2004). Letter from Jacques Derrida to Ralph J. Cicerone, then Chancellor of UCI. Jacques Derrida, July 25. http://www.jacques-derrida.org/Cicerone.html
Donovan, C., & Ustundag, E. (2017). Graphic Narratives, Trauma and Social Justice. Visual Research and Social Justice, 11(2), 221–237.
Douglas, K. (2010). Contesting Childhood: Autobiography, Trauma, and Memory. Rutgers University Press.
Douglas, K., & Barnett, T. (2014). Teaching Traumatic Life Narratives: Affect, Witnessing and Ethics. Antipodes, 28(1), 46–61. https://doi.org/10.13110/antipodes.28.1.0046
Felman, S. (1991). In an Era of Testimony. Yale French Studies, 79, 39–81. https://doi.org/10.2307/2930246
Freedman, K. L. (2014). One Hour in Paris: A True Story of Rape and Recovery. University of Chicago Press.
Fritze, J. (2019). ‘It’s a Damn Sad Situation’: Trump Takes on #MeToo Movement, Mocks Kavanaugh Accuser. USA Today, December 15. Retrieved March 27, 2023, from https://eu.usatoday.com/story/news/politics/2018/10/02/donald-trump-mocks-christine-ford-appears-lament-metoo/1500306002/
Gilmore, L. (2001a). Limit-cases: Trauma, Self-representation and the Jurisdictions of Identity. Biography: Interdisciplinary Quarterly, 24(1), 128–139.
Gilmore, L. (2001b). The Limits of Autobiography: Trauma and Testimony. Cornell University Press.
Gilmore, L. (2017). Tainted Witness: Why We Doubt what Women Say about Their Lives. Columbia University Press.
Gilmore, L. (2019). Frames of Witness: The Kavanaugh Hearings, Survivor Testimony and #MeToo. Biography: Interdisciplinary Quarterly, 42(3), 610–623. https://doi.org/10.1353/bio.2019.0062
Gloeckner, P. (2000). A Child’s Life and Other Stories. Frog books.
Gloeckner, P. (2011). Autobiography: A Process that Negates the term. In M. Chaney (Ed.), Graphic Subjects: Essays on Autobiography and Graphic Novels (pp. 178–179). University of Wisconsin Press.
Hatfield, C. (2005). Alternative Comics: An Emerging Literature. University Press of Mississippi.
Healy, E. (2014). Stories Like Passwords. Hairpin, October 6. Retrieved March 27, 2023, from https://www.thehairpin.com/2014/10/stories-like-passwords/
Horeck, T. (2019). Streaming Sexual Violence: Binge-watching Netflix’s 13 Reasons Why. Participations: Journal of Audience & Reception Studies, 16(2),143–166.
Jenkins, H., & Thorburn, D. (2004). Introduction: The Digital Revolution, the Informed Citizen, and the Culture of Democracy. In H. Jenkins & D. Thorburn (Eds.), Democracy and new media (pp. 1–18). MIT Press.
Jensen, M. (2014). The Fictional is Political: Forms of Appeal in Autobiographical Fiction and Literature. In M. Jensen & M. Jolly (Eds.), We Shall Bear Witness: Life Narratives and Human Rights (pp. 141–157). Wisconsin University Press.
Jolly, M. (2014). Introduction: Life/Rights Narrative in Action. In M. Jensen & M. Jolly (Eds.), We Shall Bear Witness: Life Narratives and Human Rights (pp. 3–24). Wisconsin University Press.
Jones, S. (2019). Testimony through Culture: Towards a Theoretical Framework. Rethinking History: The Journal of Theory and Practice, 23(3), 257–278. https://doi.org/10.1080/13642529.2019.1620909
Karpinski, E. C. (2016). Life in Boxes: History, Pedagogy, and Nation-Building in Canadian Biographics for Young Adults. In C. Rifkind & L. Warley (Eds.), Canadian Graphic: Picturing Life Narratives (pp. 235–266). Wilfrid Laurier University Press.
Laub, D. (1992). Bearing Witness, or the Vicissitudes of Listening. In S. Felman & D. Laub (Eds.), Testimony: Crises of Witnessing in Literature, Psychoanalysis and History (pp. 57–74). Routledge.
Maguire, E. (2018). Girls, Autobiography, Media: Gender and Self-mediation in Digital Economies. Palgrave Macmillan.
Maillard, K. (2018). Burn. In H. McGregor, J. Rak, & E. Wunker (Eds.), Refuse: Canadian Literature in Ruins (pp. 43–49). Book*Hug.
Martin, E. A. (Ed.). (2003). A Dictionary of Law. OUP.
McGinley, A. C. (2019). The Masculinity Mandate: #MeToo, Brett Kavanaugh, and Christine Blasey Ford. Employee Rights and Employment Policy Journal, 23(1), 59–84.
McGregor, H., Rak, J., & Wunker, E. (2018a). Introduction: Living in the Ruins. In H. McGregor, J. Rak, & E. Wunker (Eds.), Refuse: Canadian Literature in Ruins (pp. 9–28). Book*Hug.
McGregor, H., Rak, J., & Wunker, E. (2018b). Part One: Refusal. In H. McGregor, J. Rak, & E. Wunker (Eds.), Refuse: Canadian Literature in Ruins (pp. 29–36). Book*Hug.
McIsaac. (2018). And then a Man Said It, January 11. Retrieved March 27, 2023, from https://andthenamansaidit.wordpress.com/
Michael, O. (2014). Lolita Is Set Free: Questioning and Re-inventing Constructions of Adolescent and Pre-adolescent Female Beauty in Phoebe Gloeckner’s Graphic Memoirs. In M. Ioannou & M. Kyriakidou (Eds.), Female Beauty in Art: History, Feminism, Women Artists (pp. 38–66). Cambridge Scholars.
Michael, O. (2017). Graphic Autofiction and the Visualisation of Trauma in Lynda Barry and Phoebe Gloeckner’s Graphic Memoirs. In H. Dix (Ed.), Autofiction in English (pp. 105–124). Palgrave Macmillan.
Michael, O. (2020). PTSD and Female Sexuality in the Aftermath of Childhood and Adolescent Sexual Abuse in Una’s Becoming Unbecoming. Journal of Graphic Novels and Comics, 11(4), 94-411 https://doi.org/10.1080/21504857.2020.1773886
Papadamou, K., Zannetou, S., Blackburn, J., De Cristofaro, E., Stringhini, G., & Sirivianos, M. (2020). Understanding the Incel Community on YouTube. Computers and Society. Retrieved March 27, 2023, from https://arxiv.org/abs/2001.08293
Rak, J. (2016). Open Counter-letter about Steven Galloway Case at UCB. Retrieved March 27, 2023, from https://www.change.org/p/ubc-accountable-open-counter-letter-about-the-steven-galloway-case-at-ubc
Robbins, M. (2015). Using Graphic Memoirs to Discuss Social Justice Issues in the Secondary Classroom. The Alan Review, 35–47.
Ross, C. (2016). Sexual Trauma at the Salpetriere. The Journal of Psychohistory, 43(4), 277–287.
Schaffer, K., & Smith, S. (2014). E-witnessing in the Digital Age. In M. Jensen & M. Jolly (Eds.), We Shall Bear Witness: Life Narratives and Human Rights (pp. 223–237). Wisconsin University Press.
Schwartzman, N. (2018). Roll Red Roll. https://www.netflix.com/search?q=roll%20red%20roll%20&jbv=81087761
Simpson, J., & Weiner, E. (Eds.). (1989). Oxford English Dictionary. Clarendon Press.
Smith, J. (2013). Misogynies. Westbourne Press.
Smith, S., & Watson, J. (2010). Reading Autobiography: A Guide. University of Minnesota Press.
Smith, S., & Watson, J. (2012). Witness or False Witness?: Metrics of Authenticity, Collective I-formations, and the Ethic of Verification in First-person Testimony. Biography: An Interdisciplinary Quarterly, 35(4), 591–626. https://doi.org/10.1353/bio.2012.0047
Spry, M. (2018). No Names, Only Monsters: Toxic Masculinity, Concordia, and CanLit. CanLit Accountable, January 8. Retrieved March 27, 2023, from http://canlitaccountable.com/
Strangelove, M. (2010). Watching YouTube: Extraordinary Videos by Ordinary People. Toronto University Press.
Tomkinson, S., Harper, T., & Atwell, K. (2020). Confronting Incel: Exploring Possible Policy Pesponses to Misogynistic Violent Extremism. Australian Journal of Political Science, 55(2), 152–169. https://doi.org/10.1080/10361146.2020.1747393
Uimonen, P. (2019). #MeToo in Sweden: Museum Collections, Digital Archiving and Hashtag Visuality. Ethnos Journal of Anthropology. https://doi.org/10.1080/00141844.2019.1640264
Una. (2015). Becoming Unbecoming. Myriad.
Vidal, M. E., & Petrak, J. (2007). Shame and Adult Sexual Assault: A study with a group of female survivors recruited from an East London Population. Sexual and Relationship Therapy, 22(2), 159–171. https://doi.org/10.1080/14681990600784143
Whitlock, G. (2015). The Hospitality of the Cyberspace: Mobilizing Asylum Seeker Testimony Online. Biography: Interdisciplinary Quarterly, 38(2), 245–266. http://www.jstor.org/stable/24570355
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2023 The Author(s), under exclusive license to Springer Nature Switzerland AG
About this chapter
Cite this chapter
Michael, O. (2023). Gendered Testimonies at the Dawn of the Twenty-First Century. In: Jones, S., Woods, R. (eds) The Palgrave Handbook of Testimony and Culture. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-13794-5_5
Download citation
DOI: https://doi.org/10.1007/978-3-031-13794-5_5
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-031-13793-8
Online ISBN: 978-3-031-13794-5
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)