Abstract
For Nabokov the senses do not quite make sense, in the tradition of the British empirical philosophers: they do not serve as the source for all we know. Rather, cognition, imagination, memory, emotion, and culturally acquired knowledge interact with and amplify the senses. Nor do the senses completely make sense: they can be erroneous and limited, and, more importantly, they allow us to see the uniqueness, particularity and value of the things of this world in a way that has a pricelessly irrational element that transcends sense. Nabokov insists on individual perception, moreover, but he also has to admit, against his own grain, the social role of science and art in extending the scope of our understanding and appreciation of what we sense. Finally, although the senses are valuable and even invaluable for Nabokov, they do not make value. They can trap us in narrow standards of conventional beauty and curiosity. They can open us up to pain, discomfort, and disgust. And pride in sensory sensitivity and sensual energy often accompanies appalling insensitivities in Nabokov’s most memorable characters.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
Bibliography
Boyd, Brian. 1990. Vladimir Nabokov: The Russian Years. Princeton: Princeton University Press.
Dor, Daniel. 2015. The Instruction of Imagination: Language as a Social Communication Technology. Oxford: Oxford University Press.
Lipsky, David. 2016. Family Business: Mr. and Mrs. Nabokov’s Half-Century. Harper’s Magazine, 28 January. http://harpers.org/archive/2016/02/family-business/. Accessed 1 March 2016.
Nabokov, Vladimir. 1940. Professor Woodbridge in an Essay on Nature Postulates the Reality of the World. New York Sun, 10 December, p. 15.
———. 1955. Lolita. Reprint, New York: Vintage, 1989.
———. 1957. Pnin. Reprint, New York: Vintage, 1989.
———. 1962. Pale Fire. Reprint, New York: Vintage, 1989.
———. 1963. The Gift, trans. M. Scammell with Vladimir Nabokov. Reprint, New York: Vintage, 1991.
———. 1964. Eugene Onegin, rev. ed. Reprint, Princeton: Princeton University Press, 1975.
———. 1967. Speak, Memory: An Autobiography Revisited. Reprint, New York: Vintage, 1989.
———. 1969. Ada or Ardor. Reprint, New York: Vintage, 1990.
———. 1973. Strong Opinions. Reprint, New York: Vintage, 1990.
———. 1976. Interview with George Feifer. Sunday Telegraph Magazine, 14 November, pp. 40–46.
———. 1979. Stikhi. Ann Arbor: Ardis.
———. 1980. Lectures on Literature, ed. F. Bowers. New York: Harcourt Brace Jovanovich / Bruccoli Clark.
———. 1981. Lectures on Russian Literature, ed. F. Bowers. New York: Harcourt Brace Jovanovich / Bruccoli Clark.
———. 1983. Lectures on Don Quixote, ed. F. Bowers. New York: Harcourt Brace Jovanovich / Bruccoli Clark.
———. 1989. Selected Letters 1940–1977, ed. D. Nabokov and M. J. Bruccoli. New York: Harcourt Brace Jovanovich / Bruccoli Clark Layman.
———. 1995. Stories of Vladimir Nabokov, ed. D. Nabokov, rev. ed. Reprint, New York: Vintage, 2008.
Popper, Karl R. 1945. The Open Society and Its Enemies, 2 vols., 5th ed. Reprint, Princeton: Princeton University Press, 1962.
Scarry, Elaine. 1985. The Body in Pain: The Making and Unmaking of the World. Oxford: Oxford University Press.
———. 1999a. Dreaming by the Book. New York: Farrar, Straus, Giroux.
———. 1999b. On Beauty and Being Just. Princeton: Princeton University Press.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Boyd, B. (2020). Senses, Minds, Meanings, and Values in Nabokov: Do the Senses Make Sense?. In: Bouchet, M., Loison-Charles, J., Poulin, I. (eds) The Five Senses in Nabokov's Works. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-45406-7_2
Download citation
DOI: https://doi.org/10.1007/978-3-030-45406-7_2
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-45405-0
Online ISBN: 978-3-030-45406-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)