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Music Scenes as Infrastructures: From Live Venues to Algorithmic Data

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Popular Music, Technology, and the Changing Media Ecosystem

Part of the book series: Pop Music, Culture and Identity ((PMCI))

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Abstract

The chapter aims at expanding the music scenes studies’ theoretical toolbox by focusing on the notion of infrastructure. The chapter addresses how the notion has been adopted in early music scenes research, arguing that a lack of theorization has characterized seminal works in this field. Then, the chapter takes into account how digital infrastructures have become much more important with the rise of the Internet and digital media, yet research on virtual music scenes has focused more on contents circulating on forums and Web sites than on the influence exerted by digital media’s infrastructural logic. Finally, the chapter explores emerging phenomena, including the role of platforms, algorithmic data flows, and future scenarios opened up by the adoption of blockchain technology in music industry.

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Authors and Affiliations

  1. PaSTIS Research Unit, FISPPA Department, University of Padova, Padua, Italy

    Paolo Magaudda

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  1. Paolo Magaudda
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Correspondence to Paolo Magaudda .

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Editors and Affiliations

  1. Department of Sociology and Communication, Budapest University of Technology and Economics, Budapest, Hungary

    Tamas Tofalvy

  2. Department of Sociology and Communication, Budapest University of Technology and Economics, Budapest, Hungary

    Emília Barna

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Magaudda, P. (2020). Music Scenes as Infrastructures: From Live Venues to Algorithmic Data. In: Tofalvy, T., Barna, E. (eds) Popular Music, Technology, and the Changing Media Ecosystem. Pop Music, Culture and Identity. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-44659-8_2

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