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    Chapter

    Epilogue

    “One must stop somewhere.”

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Experience of War in Tolkien’s Fiction

    On March 2, 1916, a few weeks before he was to marry, Tolkien wrote a diary-like letter to his fiance, Edith. He found himself stationed in Staffordshire with his battalion, which was due to be sent to the Wes...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Interlude at Leeds

    The professor of English at the University of Leeds, founded in 1904, died suddenly in a drowning accident in 1919, and in the following year, the university announced a new post as reader in English. Tolkien ...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Language behind Everything

    Språksnille (= linguistic genius) was a Swedish word that Tolkien became attracted to. He enjoyed the beauty of sounds, especially in Welsh and Finnish, but also in the Scandinavian languages. I once sent Tolkien...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Tolkien’s Double Worlds

    The origin and inspiration for my work on Tolkien were, in the first place, my own understanding of Tolkien’s ideas from my meetings with the author in the 1960s and 1970s. Tolkien’s oral descriptions of Middl...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    The Reception of The Lord of the Rings in the World

    Tolkien’s debut on the world market, The Hobbit (1937), was met with a benevolent reception both in reviews and among readers, and not least in two unsigned reviews in The Times Literary Supplement and in The Tim...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    From Bloemfontein to Birmingham

    During the 1960s, I was constantly impressed by Tolkien’s detailed reminiscences of his early life. Even his memory of his holiday with his mother near Cape Town at the age of three seemed a natural result of ...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Facts and Fiction

    What is reality? What is nonreality? What is unreality?

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    An Orphan Drawn to Reading

    From having his own single mother to acquiring a guardian and single adoptive father seems to be a long step for a twelve-year-old boy. Father Francis became a father-figure who guided Ronald firmly in his edu...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Soldier at the Front

    In June 1914, Oxford was as usual teeming with activities related to the university. There were examinees, visiting relatives, fellow students, and girlfriends. All of them began to return home, one after the ...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Research as Motor

    How early in life can a research talent be identified? When does a child’s curiosity lead to collections of facts, so that a scientific problem can be solved, or when is problem-solving on analytical grounds n...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Our First Meeting

    Suddenly there he was, J.R.R. Tolkien, standing in front of his house at number 76 Sandfield Road, in Headington, just outside Oxford. He had kept an eye out for me from the sizeable detached house, which had ...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Interplay between Research and Fiction

    Sir Gawain and the Green Knight is a brilliant example of English heroic-romantic literature from the Middle Ages. Tolkien’s translation into modern English of this romance, which is filled with humor and wit, pe...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    Like Lightning from a Clear Sky

    When I came to know Oxford in the 1950s, I was struck primarily by the unique atmosphere. The streets were teeming with students, most of them wearing their academic gowns. The dons and fellows with their long...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    The AB Language: A Unique Discovery

    “What a coincidence!” These were the spontaneous words that Tolkien almost cried out when I first described to him my interest in the medieval dialects of the English West Midlands. My plans for my doctoral th...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    On the Truth of Myth

    Because Tolkien’s early childhood and school days were so turbulent, with so many changes of address and environment, that he was able to develop his imagination and curiosity from an early age. With qualities...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    The Final Years

    One beautiful summer’s day in 1972, I stood in front of 21 Merton Street in Oxford, waiting for J.R.R. Tolkien, the cult figure, recluse, and world-renowned celebrity, professor, and fantasy writer, a figure r...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    New Media

    The screen version of The Lord of the Rings supports my view that it is quite possible for all of us to interpret Tolkien to our own taste. Through the films, it became clear that Tolkien presented a world that c...

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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    Chapter

    From Sarehole to Shire

    Was Tolkien strongly aware, when he worked on The Lord of the Rings, that his construction of the Shire was inspired by specific sceneries of his childhood?

    Arne Zettersten in J.R.R. Tolkien’s Double Worlds and Creative Process (2011)

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