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    Decadence, Degeneration, and the End

    Studies in the European Fin de Siècle

    Marja Härmänmaa, Christopher Nissen (2014)

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    Chapter

    Introduction

    The social, scientific, and industrial revolutions of the later nine-teenth century brought with them a ferment of new artistic visions. An emphasis on scientific determinism and the depiction of reality led t...

    Christopher Nissen, Marja Härmänmaa in Decadence, Degeneration, and the End (2014)

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    Chapter

    A Regenerative Decadence or a Decadent Regeneration: Challenges to Darwinian Determinism by French, Spanish, and Latin American Writers in the Fin de Siècle

    Traditional literary historiography has divided literature produced in Spain during the fin-de-siècle period into two separate movements: the so-called generation of ’98 and modernismo.1 The first group represent...

    Natalia Santamaría Laorden in Decadence, Degeneration, and the End (2014)

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    Chapter

    The Spectral Salome: Salomania and Fin-de-Siècle Sexology and Racial Theory

    Perhaps one of the most distinctive cultural characteristics of the fin de siècle is the proliferation of the femme fatale as a literary and artistic trope. Across Europe and America, novels, poems, paintings,...

    Johannes Hendrikus Burgers in Decadence, Degeneration, and the End (2014)

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    Chapter

    Decadence and Regeneration: Oscar Wilde’s Fairy Tales as a Tool for Social Change

    Aunt Augusta, Lady Windermere, or Dorian Gray are all names that have become part of British culture and immediately trigger recognition; they are literary landmarks, classic characters that have become famili...

    Magali Fleurot in Decadence, Degeneration, and the End (2014)

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    Chapter

    Death at Sea: Symbolism and Charles Cottet’s Subjective Realism

    At the turn of the century, visual artist Charles Cottet exhibited seascapes and images of Breton women in mourning, a project he collectively titled In the Country of the Sea. Although almost forgotten today, in...

    Maura Coughlin in Decadence, Degeneration, and the End (2014)

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    Chapter

    Consuming and Consumed: Woman as Habituée in Eugène Grasset’s Morphinomaniac

    When considering the visual culture of fin-de-siècle Paris, there might be more obvious places to look for themes of decay and maladie (sickness) than in the popularly inclined and decorative oeuvre of Eugène Gra...

    Abigail Susik in Decadence, Degeneration, and the End (2014)

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    Chapter

    Mariia Iakunchikova and the Roots of Decadence in Late-Nineteenth-Century Russian Modernism

    The word Decadence first appeared in Russian criticism in an 1889 article by Vladimir Grabar, a Hungarian-Russian law student studying in Paris who earned extra money by writing for a Russian newspaper. In it,...

    Kristen M. Harkness in Decadence, Degeneration, and the End (2014)

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    Chapter

    Thermal Degeneration: Thermodynamics and the Heat-Death of the Universe in Victorian Science, Philosophy, and Culture

    During the nineteenth century, scientific notions of heat progressed from the concept that heat was a physical substance to a new energy-based thermodynamics. This development had a broad impact on European cu...

    Mason Tattersall in Decadence, Degeneration, and the End (2014)

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    Chapter

    Late Antiquity as an Expression of Decadence in the Poetry of Constantine P. Cavafy and Stefan George

    Literary modernism reacts to the historicism of the nineteenth century in two ways, either by producing “poetry without history” or poetry of a “productive historicism.” The latter term, suggested by Dirk Nief...

    Anastasia Antonopoulou in Decadence, Degeneration, and the End (2014)

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    Chapter

    “For the Strong-Minded Alone”: Evolution, Female Atavism, and Degeneration in Aubrey Beardsley’s Salomé

    In 1894, The Bodley Head of John Lane and Elkin-Mathews in London, and Copeland and Day in Boston published the first English edition of Oscar Wilde’s play Salomé: A Tragedy in One Act, accompanied by illustratio...

    Gülru Çakmak in Decadence, Degeneration, and the End (2014)

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    Chapter

    Decadent Tropologies of Sickness

    An exceptional relationship with sickness is a well-known characteristic of decadent literature. In the decadent perspective on life, malady attains value at the expense of health; moreover, the embrace of dec...

    Pirjo Lyytikäinen in Decadence, Degeneration, and the End (2014)

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    Chapter

    The Seduction of Thanatos: Gabriele D’Annunzio and the Decadent Death

    D’Annunzio was obsessed with death. In his last autobiographical work, Libro segreto (The Secret Book, 1935), he calls his peculiar memories “studies of death,” as death in one way or another often appeared in hi...

    Marja Härmänmaa in Decadence, Degeneration, and the End (2014)

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    Chapter

    Decadence, Melancholia, and the Making of Modernism in the Salome Fairy Tales of Strindberg, Wilde, and Ibsen

    Throughout the nineteenth century, a profound interest in the story of the death of John the Baptist inspired a remarkable number of novels, paintings, operas, and poems presenting variations in the Gospels’ a...

    Kyle Mox in Decadence, Degeneration, and the End (2014)