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    Chapter

    Nerve Theory, Sensibility, and Romantic Metrosexuals

    Since G. S. Rousseau proposed the link between nerve theory and the literature of sentiment in his groundbreaking article from 1976, “Nerves, Spirits, and Fibres: Towards Defining the Origins of Sensibility,” a.....

    Michelle Faubert in Romanticism and the City (2011)

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    John Ferriar’s Psychology, James Hogg’s Justified Sinner, and the Gay Science of Horror Writing

    Such recent works as Frederick Burwick’s Poetic Madness and the Romantic Imagination, Jennifer Ford’s Coleridge on Dreaming: Romanticism, Dreams and the Medical Imagination, David Vallins’s Coleridge and the Psyc...

    Michelle Faubert in Romanticism and Pleasure (2010)

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    Chapter

    Introduction

    In his chapter for Northrop Frye’s Romanticism Reconsidered, published nearly fifty years ago, Lionel Trilling stresses the centrality of pleasure to definitions of Romantic aesthetics, beginning with Wordsworth’...

    Michelle Faubert, Thomas H. Schmid in Romanticism and Pleasure (2010)

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    Reconstructing the Classical Model: Pope’s Homer and Its Influence

    Pope’s Homer, and especially his Iliad, was the foundation stone of his poetic reputation and, as is well known, of both his personal financial security and of the degree of independence he was thereafter able to...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    The Madness of a Multitude’: Insanity, People and Prose

    ‘Cowper came to me’, wrote William Blake in around 1819, nearly twenty years after the earlier poet’s death,

    and said “O that I were insane always. I will never rest. Can you not make me truly insan...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    A Gendered Affliction: Women, Writing, Madness

    In the eighteenth century, the realm of madness was a locus of intensity in terms of the perception of women. Characteristics that were attributed to women multiplied in degree when madness was on the horizon....

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    Madness Itself: the Real Story

    The search for ‘madness itself’, for ‘really’ knowing what madness is, or was, or will be, for the ‘truly insane’, in language, in appearance, in art, in behaviour, or for what I refer to earlier as ‘the whole...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    Speaking It Like a Horse: Gulliver’s Travels and the Contexts of Insanity

    The history of insanity is full of dizzying paradoxes. Here, for example, is the nineteenth-century madhouse proprietor Thomas Bakewell, writing in 1815: ‘Inever sit at table’, he observes, ‘without a number o...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    ‘Th’ Unbalanc’d Mind’: Poetry, Satire and the Assimilation of Madness

    In reconstructing Homer’s Achilles, Pope not only wrote his own way out of a tricky moral dilemma, one that had the capacity to unsteady an entire neoclassical culture. He also created a model in which the men...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    Acting the Part of a Madman: Insanity and the Stage

    In the sixth book of Tom Jones, Squire Western, being suddenly made aware of the true relationship between Tom and his daughter Sophia, and realising that he has himself just sent Tom for a private interview with...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)

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    Chapter

    ‘The Image of Our Mind’: Seeing and Being Seen

    Thus we prattled away our time till we came in sight of a noble pile of building, which diverted us from our former discourse, and gave my friend the occasion of asking me my thoughts ...

    Allan Ingram, Michelle Faubert in Cultural Constructions of Madness in Eight… (2005)