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    Book

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    Chapter

    Introduction

    Cleopatra and Octavia, of course, never met, at least not in Shakespeare’s version of the story. Their conception of each other is always that of the ‘Other Woman’ in the triangle – wife or mistress – and is m...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    Conclusion

    Rosamond Lehmann’s The Echoing Grove (1953) brings together the themes I have been discussing and offers a retrospective on the interwar period. The novel’s framework is a reconciliatory dialogue between two sist...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    ‘An Age of Transition’: Historical Context

    Gender identity was a site of special conflict and anxiety, exacerbated by an anti-feminist backlash. ‘There had been a rise of feminism’, Holtby remarked, ‘there is now a reaction against it’ (1934, 151). Acc...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    Rewriting the Victorians: May Sinclair’s Transitional Modernism

    May Sinclair’s publishing career – from 1897 to 1927 – spans and exemplifies an important transitional moment in the shift from Victorian and Edwardian realist fiction to modernism. Although it was Sinclair wh...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    A ‘Shared Working Existence’: Vera Brittain and Winifred Holtby

    The friendship between Winifred Holtby and Vera Brittain offers an example, not so much of a rare relationship between women, but of one which has been unusually fully documented and discussed. Part of a new g...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    The ‘Recurring Dream’ of Romance: Rosamond Lehmann

    The youngest of these five writers, Rosamond Lehmann at first sight seems the most conservative, her work a flight back into the world of the private, the intimate and the subjective which has traditionally be...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    Theorising Female Rivalry

    From the psychoanalytic point of view the original erotic triangle is, of course, the Oedipal triangle which underpins all Freud’s thinking, including the two influential essays on female development which he ...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    The ‘Other Woman’: Rebecca West’s ‘Difference of View’

    Rebecca West’s life was shadowed by her own role as the ‘other woman’ in a triangle drama. Her position as mistress of the married H.G. Wells not only dominated her life during the decade-long affair, necessit...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    Chapter

    ‘My Second Self’: Winifred Holtby and Vera Brittain

    The friendship between Vera Brittain and Winifred Holtby epitomises the problematic differences between married and single women during the inter-war period. Brittain’s marriage in 1925 required an even greate...

    Diana Wallace in Sisters and Rivals in British Women’s Fiction, 1914–39 (2000)

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    The Woman’s Historical Novel

    British Women Writers, 1900–2000

    Diana Wallace (2005)

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    Chapter

    Postscript

    Women’s historical novels have been critically dismissed or, perhaps worse, ignored because they have been perceived as nostalgic, escapist, irrelevant or simply as ‘trash’. In fact, as I have shown, the genre...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Introduction

    Women’s relationship with ‘real solemn history’ — that catalogue of kings and popes and battles lost and won — has often been ambivalent, but they have been reading and enjoying historical novels for well over...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Histories of the Defeated: Writers Taking Sides in the 1930s

    Looking back at the inter-war period, Storm Jameson saw it divided into two parts with the energetic twenties, ‘lively with ideas, dreams, hopes, experiments’ (Jameson, 1984, 292), superseded by the grim polit...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Hollow Men and Homosexual Heroes: Exploring Masculinity in the 1950s

    In Sylvia Townsend Warner’s The Flint Anchor (1954), the despotic patriarch John Barnard goes down into the wine cellar of the family home to check the port wine laid down by his father. He finds there the stacks...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Selling Women’s History: Popular Historical Fiction in the 1970s

    In the 1970s the woman’s historical novel was widely visible but in a range of sub-genres regarded as popular fiction and therefore disregarded by literary critics: the historical romance associated with Mills an...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Dialogues with the Dead: History and the ‘Sense of an Ending’, 1990–2000

    The 1990s were, as Patricia Waugh put it, an ‘era of belatedness, of a generalised “post”-condition’ (1995, 33). Theorists talked about ‘postmodernism’, ‘poststructuralism’, ‘postcolonialism’, ‘post-industrial...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Entering into History: The Woman Citizen and the Historical Novel, 1900–1929

    A few women were writing historical novels in the early years of the twentieth century, including Baroness Orczy’s Scarlet Pimpernel adventures, the extravagant romances of Marjorie Bowen, and the rural novels...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    Writing the War and After: Wicked Ladies and Wayward Women in the 1940s

    During the war, reading was an important form of escape from tension, fear and boredom. In 1944, a Mass Observation survey of 10,000 readers found that their strongest desire was for ‘relaxation’ and that most...

    Diana Wallace in The Woman’s Historical Novel (2005)

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    Chapter

    The Return of the Repressed: Maternal Histories in the 1960s

    Penguin’s victory in the Lady Chatterley trial in 1960 seems, in retrospect, to mark the opening victory of liberated modernity over the old guard (those stuffy elders who, famously, would not want their wife or ...

    Diana Wallace in The Woman’s Historical Novel (2005)

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