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    Chapter

    Introduction: Chaucer’s Visions of Manhood

    As a study of Chaucerian masculinities, this book examines gender’s (in)visibility. Within a modern critical idiom, emphasis on gender’s performativity highlights its dependence upon visibility.1 If we put our c...

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    Portrait of a Father as a Bad Man: Visible Pressure in the Physician’s Tale

    The Chaucerian tale that most clearly concerns the development of a public masculinity is also the tale that most drastically fails to make relations between self and society visibly convincing.1 This is a tale ...

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    Which Wife? What Man? Gender Invisibility between Chaucer’s Wife and Shipman

    Many readers wonder if the Shipment’s Tale was originally assigned to Misoun of Bath, and for good reason.1 The opening’s “feminine” pronouns, the tale’s echoes of both the Wife of Bath’s Prologue and Tale, and ...

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    Seeing Gender’s Aspects: Vision, Agency, and Masculinity in the Tale of Melibee

    John Berger’s characterization of sighted relations looks forward to theories of the gaze that have framed feminist considerations of gender and visuality for the past several decades.1 Essential to the purposes...

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    “My First Matere I Wil Yow Telle”: Visual Impact in the Book of the Duchess

    Beginning with a broken metamorphosis, Chaucer’s Book of the Duchess attempts to resolve the scandal of gender’s visuality through its relational construction of a memorial poetics. In the Ovidian story, metamor...

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    Miscellaneous Chaucer: Proverbial Masculinity in Harley 7333

    By standards of literary criticism or book history Harley 7333 is a manuscript that merits little notice. Written in six to nine hands, containing various works by Chaucer, Gower, Hoccleve, and Lydgate, seeming....

    Holly A. Crocker in Chaucer’s Visions of Manhood (2007)

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    Chapter

    Introduction: The Provocative Body of the Fabliaux

    The fabliau is a literary form without discrete borders. Mostly anonymous, the more than one hundred and twenty-seven tales that can be called fabliaux are grouped together by a definition that is at once so e...

    Holly A. Crocker in Comic Provocations: Exposing the Corpus of Old French Fabliaux (2006)