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    Chapter

    Portrayal of Children

    It is for her depiction of children that Mansfield is particularly renowned. Children are of paramount importance in every story in which they appear — and they appear very frequently — in ‘Prelude’, ‘At the B...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Conclusion

    I will conclude with a brief overview of the new work that appeared during the period of the genre’s construction, from the Sword and Sorcery vogue of the early 1960s through about 1980, the point at which the...

    Jamie Williamson in The Evolution of Modern Fantasy (2015)

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    Chapter

    Mansfield as Innovator of the Modernist Short Story

    Like painting in watercolours, short story writing may seem a deceptively easy task for those who have not attempted it, and this goes part way to explain the dismissive tone taken by so many critics towards t...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Conclusion

    Forty years from when we began, we have reached the end of the writing lives of Buchan, Yates and Thirkell. As I described in the Introduction, Buchan’s literary reputation flourished after his death, and has ...

    Kate Macdonald in Novelists Against Social Change (2015)

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    Chapter

    Sun, Moon and Sea Imagery

    At the very end of ‘The Daughters of the Late Colonel’, Constantia, one of the middle-aged spinster protagonists reflects:

    She remembered the times she had come in here, crept out of bed in her nigh...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Dramatic Techniques

    One of the most significant and most noticeably dramatic of Mansfield’s techniques is the use of the ‘nouvelle-in-stant’ — or ‘slices of life’, where the action occupies merely a brief instant of time. For Ren...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Coda: “Images of Voice” and the Art of the Sublime

    Through a reading relating Whitman’s “As I Ebb’d with the Ocean of Life,” Shelley’s poem “The Triumph of Life,” and a passage of Woolf’s Between the Acts, O’Hara crystalizes his view of revisionism, suggesting th...

    Daniel T. O’Hara in Virginia Woolf and the Modern Sublime: The Invisible Tribunal (2015)

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    Chapter

    Ugly Hairy Mounds, Fierce Hairy Armpits, and Sewer-Like Menstruations: Women as Vulgar Commodity in Fuentes’s The Old Gringo

    One of the key responsibilities in criticism is not to ignore the seemingly machismo attitude Fuentes has towards women. In The Old Gringo machismo is not only apparent but vulgar and abhorrent. What is replete ...

    Mark Axelrod in Notions of the Feminine: Literary Essays from Dostoyevsky to Lacan (2015)

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    Chapter

    Mansfield in Detail

    In 2012, for the first time, a fully annotated two-volume collection of all of Mansfield’s extant fiction writing was published.2 Perhaps the most remarkable aspect of this edition is that it permits us to see — ...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Use of Literary Impressionism

    This quotation highlights Mansfield’s appreciation of post-impressionist art. She would go on to transpose this impressionistic technique onto her own literary endeavours. The term ‘literary impressionism’ was...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Gazing from the Inside: Lacan and an Endocrinological Notion of the Male “Gaze”

    Needless to say, the influence of psychology on literary theory has, over the decades, been significant. Whether one has been influenced by depth psychology, the trend of the past, or critical theory and psych...

    Mark Axelrod in Notions of the Feminine: Literary Essays from Dostoyevsky to Lacan (2015)

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    Chapter

    ‘There is always the other side, always’: Katherine Mansfield’s and Jean Rhys’s Travellers in Europe

    The quotation in the title is taken from Jean Rhys’s best-known novel Wide Sargasso Sea (1966), but I want to apply it to her much earlier novel set in Paris, Good Morning, Midnight (1939). My comparison of the n...

    Angela Smith in Katherine Mansfield and Continental Europe (2015)

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    Chapter

    Sexuality as a Theme

    Mansfield talked openly about sexual issues in her notebooks and letters from an early age, though much of what she wrote on these subjects remained unprinted during Murry’s lifetime. The following was written...

    Gerri Kimber in Katherine Mansfield and the Art of the Short Story (2015)

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    Chapter

    Introduction

    British popular and avant-garde literatures from the late nineteenth and early twentieth centuries are often conceptualized as dichotomies, as mutually exclusive opposites. The trajectory of their taxonomies, ...

    Kate Macdonald, Christoph Singer in Transitions in Middlebrow Writing, 1880–1930 (2015)

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    Chapter

    Introduction

    James Joyce’s influence on contemporary literature has been profound, yet remains surprisingly unexplored. Joycean Legacies is the first essay collection to examine Joyce’s complex influence biographically, textu...

    Martha C. Carpentier in Joycean Legacies (2015)

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    Chapter

    Conclusion: Modernist Melancholia and Its Afterlife

    What is modernist melancholia and what are its legacies? In a famous passage from Conrad’s letter to his friend Cunninghame Graham from 14 January 1898 Conrad evokes the totality of the modern melancholic expe...

    Anne Enderwitz in Modernist Melancholia (2015)

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    Chapter

    Afterword

    Between July and November of 2014 volunteers gradually covered the moat around the Tower of London in 888,246 ceramic red poppies, one for every British and British colonial life lost in the First World War. F...

    James Campbell in Oscar Wilde, Wilfred Owen, and Male Desire (2015)

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    Chapter

    Like Giving Birth to a Dead White Star: An Introduction to the Modern Sublime in Virginia Woolf

    By way of a close reading of “Moments of Being: ‘Slater’s Pins Have No Points’” O’Hara explicates his theory of the modernist sublime as it relates to Woolf. Through an act of identification and doubling that ...

    Daniel T. O’Hara in Virginia Woolf and the Modern Sublime: The Invisible Tribunal (2015)

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    Chapter

    Afterword

    I began this book with an account of the literary fraternity who gathered in and around Kent in the closing years of the nineteenth century. It was no doubt an exhilarating and inspirational time for all invol...

    Linda Dryden in Joseph Conrad and H. G. Wells (2015)

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    Chapter

    The Uncanny Muse of Creative Reading: On the New Cambridge Edition of Mrs. Dalloway

    O’Hara notes Woolf’s inclusive gesture offering readers the democratic play of readings: whatever edition used, they can use their novel’s key elements. Author, reader, and characters participate in reformativ...

    Daniel T. O’Hara in Virginia Woolf and the Modern Sublime: The Invisible Tribunal (2015)

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