Abstract
This chapter proposes a typology of paintings in Western art based on the themes of the annunciation and the crucifixion and inspired by the way that Georges Didi-Huberman reflects upon these themes in Devant l’image, linking them to the concepts of incarnation, pan, and déchirure (“tear”). Departing from the term of “incarnation” as Didi-Huberman’s alternative to “representation”, this chapter distinguishes between paintings of the annunciation type, exploring the preconditions for something to appear, and the crucifixion type, letting the body and its fluids make their imprint on the canvas. This chapter gives examples of paintings from modern Danish art (Anna Ancher, Vilhelm Hammershøi, Theodor Phillipsen) that do not represent the crucifixion or the annunciation but could still be said to be of either the annunciation of the crucifixion type.
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Notes
- 1.
Georges Didi-Huberman, Devant l’image, Paris 1990, p. 175.
- 2.
Ibid., p. 37.
- 3.
Georges Didi-Huberman, Confronting Images, translated by John Goodman, Pennsylvania 2005, p. 27.
- 4.
Didi-Huberman, Devant l’image, p. 220.
- 5.
Didi-Huberman, Confronting Images, p. 184.
- 6.
Didi-Huberman, Devant l’image, p. 243.
- 7.
Ibid., p. 292.
- 8.
Ibid., p. 26.
- 9.
Ibid., p. 246.
- 10.
Georges Didi-Huberman, Fra Angelico: Dissemblance et figuration, Paris 1995, p. 112.
- 11.
Ibid., p. 329.
- 12.
Didi-Huberman, Devant l’image, p. 175.
- 13.
Karl Madsen, Maleren Teodor Philipsen, København 1912, p. 20.
- 14.
Poul Vad, Hammershøi, København 1990, pp. 199–200.
- 15.
Ibid., p. 200.
- 16.
Ibid., p. 364.
References
Georges Didi-Huberman, Devant l’image, Paris 1990
Georges Didi-Huberman, Confronting Images, translated by John Goodman, Pennsylvania 2005
Georges Didi-Huberman, Fra Angelico: Dissemblance et figuration, Paris 1995
Karl Madsen, Maleren Teodor Philipsen, København 1912
Poul Vad, Hammershøi, København 1990
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Rösing, L.M. (2024). Incarnation and “Déchirure”; Annunciation and Crucifixion. In: Isar, N. (eds) Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-49945-6_7
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