Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia

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A. S. Byatt and Intellectual Women

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Abstract

This chapter situates this book in its historical and cultural context and introduces some key ideas from theory, firstly by considering the myth of the public intellectual as it is constructed within selected theories of the intellectual, dating from the nineteenth century to recent years. I examine the severe gender-blindness of most examples of such theories, and the unwillingness of those that do mention intellectual women to treat them as anything other than anomalous, separate and inferior examples to their male peers. The rest of the chapter then reads a selection of the feminist rejoinders to these theories as efforts to modify them that often do not entirely succeed because they do not address the precise tropes and discourses underpinning patriarchal ideas. Women intellectuals certainly are intellectuals, especially where they advance feminist politics in an exercise of what Edward W. Said called the ‘critical sense’ (1994) fundamental to intellectuals, but still women, unjustly, do not achieve full cultural legitimacy alongside men. Therefore, I contend with the fact that many women intellectuals are also women authors as an indicator of fiction’s place in the re-imagining of cultural histories that recount a single and narrow story, indeed a myth, that has ceased to be useful.

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Notes

  1. 1.

    Helen Morales, Antigone Rising: The Subversive Power of the Ancient Myths (London: Wildfire, 2020), location 229.

  2. 2.

    Roland Barthes, Mythologies, trans. Jonathan Cape (London: Routledge, 1997), 148.

  3. 3.

    Barthes, Mythologies, 154.

  4. 4.

    For a further detailed analysis of Ragnarok, see my chapter ‘Wartime Housewives and Vintage Women: A. S. Byatt’s Ragnarok: The End of the Gods and Reframing Popular Nostalgia’ in Claire O’Callaghan and Helen Davies (eds.) (2017) Gender and Austerity in Popular Culture: Femininity, Masculinity and Recession in Film, TV and Literature. London: I. B. Tauris.

  5. 5.

    The term ‘post-truth’ is most often used to describe political climates in which there is widespread suspicion of intellectuals and intellectualism as disloyal to a country and government, and a converse sympathy for palatable half-truths and untruths about authorities and institutions. Notoriously in 2017, Kellyanne Conway, an advisor to President Donald Trump, spoke of inaccurate figures of attendees at his inauguration as ‘alternative facts’ (Blake 2017). Michael A. Peters contextualises contemporary ‘post-truth’ attitudes using late twentieth-century political crises and movements in the United States: ‘Anti-intellectual fundamentalism held hands with McCathyism to pare back the forces of progressivism in American politics’, in response to which Gramscian ‘organic intellectuals’ worked within progressive social and political movements (2018, 1).

  6. 6.

    Mary Beard, Women and Power: A Manifesto (London: Profile Books, 2017), location 278.

  7. 7.

    Morales, Antigone Rising, location 144.

  8. 8.

    Natalie Haynes, Pandora’s Jar: Women in the Greek Myths (London: Picador, 2020), 4.

  9. 9.

    Laurence Coupe, Myth, 2nd edition (Abingdon: Routledge, 2009), 5–6.

  10. 10.

    Barthes, Mythologies, 154.

  11. 11.

    Barthes, Mythologies, 143.

  12. 12.

    Mariadele Boccardi, A. S. Byatt (Basingstoke: Palgrave Macmillan, 2013), 13.

  13. 13.

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  14. 14.

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  15. 15.

    Mitchell, “Introduction,” xi.

  16. 16.

    Edward W. Said, Representations of the Intellectual: The 1993 Reith Lectures (London: Vintage, 1994), 17.

  17. 17.

    Tredell, Conversations with Critics, 61.

  18. 18.

    Said, Representations of the Intellectual, 17.

  19. 19.

    A. S. Byatt, The Biographer’s Tale (London: Chatto and Windus, 2000. Reprint, London: Vintage, 2001), p. 4.

  20. 20.

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  21. 21.

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  22. 22.

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  23. 23.

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  24. 24.

    Dale Spender, Women of Ideas – and What Men Have Done to Them (London: HarperCollins, 1982), 9.

  25. 25.

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  26. 26.

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  27. 27.

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  28. 28.

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  29. 29.

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  30. 30.

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  32. 32.

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  33. 33.

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  34. 34.

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  35. 35.

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    Linguistic Turn (New York and London: Routledge, 2005), 8.

  36. 36.

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  37. 37.

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  38. 38.

    White, Metahistory, 2.

  39. 39.

    White, Metahistory, 2.

  40. 40.

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  41. 41.

    Coupe, Myth, 4.

  42. 42.

    White, Metahistory, 7.

  43. 43.

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  44. 44.

    Hilda L. Smith, “Women Intellectuals and Intellectual History: Their Paradigmatic

    Separation,” Women’s History Review 16, no. 3 (2007): 354.

  45. 45.

    Helen Small, ed., The Public Intellectual (Oxford: Blackwell, 2002), 2.

  46. 46.

    Julien Benda, The Treason of the Intellectuals, translated from the French by Richard

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    1969), 44.

  47. 47.

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  48. 48.

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  49. 49.

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  50. 50.

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  52. 52.

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  53. 53.

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  54. 54.

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    Antonio Gramsci, edited and translated from the Italian by Geoffrey Nowell Smith and

    Quentin Hoare, 1971 (Reprint, London: Lawrence and Wishart, 2007), 5.

  55. 55.

    Gramsci, “The Intellectuals,” 7.

  56. 56.

    Gramsci, “The Intellectuals,” 9.

  57. 57.

    Edward Shils, The Intellectuals and the Powers and Other Essays (Chicago: Chicago

    University Press, 1972), 3.

  58. 58.

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  59. 59.

    William Wordsworth, “Preface,” in Lyrical Ballads, edited by Michael Mason (London

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  60. 60.

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  61. 61.

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  63. 63.

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  64. 64.

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  65. 65.

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  66. 66.

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  67. 67.

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  68. 68.

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  69. 69.

    Said, Representations of the Intellectual, 25–26.

  70. 70.

    Edward W. Said, “The Public Role of Writers and Intellectuals,” in The Public Intellectual, edited by Helen Small (Oxford: Blackwell, 2002), 20.

  71. 71.

    Patricia Waugh, Metafiction: The Theory and Practice of Self-Conscious Fiction

    (London: Methuen and Co, 1984. Reprint, London and New York: Routledge, 1996), 90.

  72. 72.

    White, Metahistory, 13–15.

  73. 73.

    Waugh, Metafiction, 88–89.

  74. 74.

    Waugh, Metafiction, 90.

  75. 75.

    Joan W. Scott, “The Evidence of Experience,” in Practicing History: New Directions in

    Historical Writing After the Linguistic Turn, edited by Gabrielle M. Spiegel (New York: Routledge, 2005), 202.

  76. 76.

    Waugh, Metafiction, 28–29.

  77. 77.

    Linda Hutcheon, A Poetics of Postmodernism: History, Theory, Fiction (Reprint, 1996.

    London: Routledge, 1988), 88.

  78. 78.

    Hutcheon, A Poetics of Postmodernism, 89.

  79. 79.

    Mannheim, Ideology and Utopia, 8.

  80. 80.

    Mary Evans, “Can Women be Intellectuals?” in Intellectuals and their Publics:

    Perspectives from the Social Sciences, edited by Christian Fleck, Andreas Hess and E.

    Stina Lyon (Farnham: Ashgate, 2009), 33.

  81. 81.

    Evans, “Can Women be Intellectuals?”, 29.

  82. 82.

    Evans, “Can Women be Intellectuals?”, 30–31.

  83. 83.

    Evans, “Can Women be Intellectuals?”, 32.

  84. 84.

    Jürgen Habermas, The Structural Transformation of the Public Sphere, translated from the German by Massachusetts Institute of Technology, 1989 (Reprint, Cambridge: Polity Press, 1992), 30.

  85. 85.

    Nancy Fraser, “Rethinking the Public Sphere: A Contribution to the Critique of

    Actually Existing Democracy,” in Habermas and the Public Sphere, edited by Craig

    Calhoun (Cambridge, Massachusetts: MIT Press, 1999), 111.

  86. 86.

    Evans, “Can Women be Intellectuals?’, 32.

  87. 87.

    Evans, “Can Women be Intellectuals?’, 30.

  88. 88.

    Evans, “Can Women be Intellectuals?’, 32–33.

  89. 89.

    Joan Riviere, “Womanliness as a Masquerade,” in Formations of Fantasy, edited by

    Victor Burgin, James Donald and Cora Kaplan (London: Methuen, 1986), 35.

  90. 90.

    Riviere, “Womanliness as a Masquerade,” 36.

  91. 91.

    Virginia Woolf, A Room of One’s Own and Three Guineas (Reprint, London: Vintage, 2001), 2.

  92. 92.

    Woolf, A Room of One’s Own and Three Guineas, 5.

  93. 93.

    Woolf, A Room of One’s Own and Three Guineas, 102.

  94. 94.

    Woolf, A Room of One’s Own and Three Guineas, 102.

  95. 95.

    Woolf, A Room of One’s Own and Three Guineas, 107.

  96. 96.

    Woolf, A Room of One’s Own and Three Guineas, 106.

  97. 97.

    Woolf, A Room of One’s Own and Three Guineas, 129.

  98. 98.

    Woolf, A Room of One’s Own and Three Guineas, 242.

  99. 99.

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    Three Guineas by Virginia Woolf (London: Vintage, 2001), viii.

  100. 100.

    Mannheim, Ideology and Utopia, 8.

  101. 101.

    Michèle Le Dœuff, The Philosophical Imaginary, translated from the French by

    Colin Gordon, 1989 (Reprint, London: Continuum, 2002), 27.

  102. 102.

    Julia Kristeva, “A New Type of Intellectual: The Dissident,” in The Kristeva Reader,

    edited by Toril Moi, translated from the French by Seán Hand, 1986 (Reprint, Oxford:

    Blackwell, 1996), 294.

  103. 103.

    Kristeva, “A New Type of Intellectual,” 294.

  104. 104.

    Kristeva, “A New Type of Intellectual,” 295.

  105. 105.

    Waugh, Metafiction, 100.

  106. 106.

    Kristeva, “A New Type of Intellectual,” 296.

  107. 107.

    Kristeva, “A New Type of Intellectual,” 296.

  108. 108.

    Kristeva, “A New Type of Intellectual,” 298–299.

  109. 109.

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  110. 110.

    Le Dœuff, The Sex of Knowing, 213.

  111. 111.

    Le Dœuff, The Sex of Knowing, 13.

  112. 112.

    Hilda L. Smith, “Women Intellectuals and Intellectual History: Their Paradigmatic

    Separation,” Women’s History Review 16, no. 3 (2007): 358.

  113. 113.

    White, Metahistory, 29.

  114. 114.

    Waugh, Metafiction, 90.

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Bibby, L. (2022). Cultural Histories of the Intellectual: From Patriarchal Myth to Feminist Mythopoeia. In: A. S. Byatt and Intellectual Women. Palgrave Studies in Contemporary Women’s Writing. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-031-08671-7_1

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