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Augmented Reality Art

From an Emerging Technology to a Novel Creative Medium

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  • © 2022
  • Latest edition

Overview

Editors:
  1. Vladimir Geroimenko

    1. Faculty of Informatics and Computer Science, The British University in Egypt (BUE), Sherouk City, Cairo, Egypt

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  • Covers the latest ideas and developments, and introduces novel and challenging topics
  • Provides a methodological framework for the study of augmented reality art and an overview of its historic events
  • Facilitates a detailed, conceptual and critical understanding of augmented reality art as a novel creative medium

Part of the book series: Springer Series on Cultural Computing (SSCC)

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About this book

This is the third edition of the first ever book to explore the exciting field of augmented reality art and its enabling technologies. The new edition has been thoroughly revised and updated, with 9 new chapters included. As well as investigating augmented reality as a novel artistic medium, the book covers cultural, social, spatial and cognitive facets of augmented reality art.  It has been written by a virtual team of 33 researchers and artists from 11 countries who are pioneering in the new form of art, and contains numerous colour illustrations showing both classic and recent augmented reality artworks.

Intended as a starting point for exploring this new fascinating area of research and creative practice, it will be essential reading not only for artists, researchers and technology developers, but also for students (graduates and undergraduates) and all those interested in emerging augmented reality technology and its current and future applications in art.

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Table of contents (21 chapters)

  1. Front Matter

    Pages i-xxii
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  3. Augmented Reality Art and a Variety of Spaces

    1. Front Matter

      Pages 95-95
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    2. Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials

      • Tamiko Thiel
      Pages 97-127

    3. Merging Spaces: Augmented Reality, Temporary Public Art, and the Reinvention of Site

      • Rachel E. Clarke
      Pages 129-156

    4. Data Narratives: Aesthetic Activation of Urban Space Through Augmented Reality

      • Conor McGarrigle, John Buckley
      Pages 157-170

    5. Beyond the Virtual Public Square: Ubiquitous Computing and the New Politics of Well-Being

      • Gregory L. Ulmer, John Craig Freeman
      Pages 171-189

    6. Augmenting Environmental Graphics in Healthcare Spaces

      • Ian Gwilt, Aaron Davis, Joanne Mignone, Ross T. Smith, Aprille Chua
      Pages 191-208

    7. Augmented Reality Interventions in Shared Space: Subversion and Social Impact

      • Nancy Baker Cahill, Jesse Damiani
      Pages 209-225

  4. Augmented Reality as a Novel Artistic Medium

    1. Front Matter

      Pages 227-227
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    2. The Aesthetics of Liminality: Augmentation as an Art Form

      • Patrick Lichty
      Pages 229-258

    3. Augmented Reality in Art: Aesthetics and Material for Expression

      • Geoffrey Alan Rhodes
      Pages 259-268

    4. Augmented Reality Painting and Sculpture: From Experimental Artworks to Art for Sale

      • Vladimir Geroimenko
      Pages 269-282

    5. Augmented Reality Graffiti and Street Art

      • Ian Gwilt, Jack Wilde
      Pages 283-295

    6. Face Filters as Augmented Reality Art on Social Media

      • Jessica Herrington
      Pages 297-310
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Editors and Affiliations

  • Faculty of Informatics and Computer Science, The British University in Egypt (BUE), Sherouk City, Cairo, Egypt

    Vladimir Geroimenko

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